Reflections features the voices and perspectives of IICSI students, researchers, partners, and staff. These posts profile people’s engagement with and reflections upon a range of IICSI events, programs, and partnerships.
Joe Sorbara reflects on Carnegie meets 8EAST – a pair of improvised concerts with musicians connected to both organisations bridged by a street party in Vancouver.
A Reflection from Emerging Scholar Marc Hannaford, on the 2018 Guelph Jazz Festival Colloquium: Hovering at the Edge: Words, Music, Sound, and Song.
When reflecting on Guelph’s most recent jazz festival, the image my thoughts keep converging on is a concrete poem presented in the talk given by Meta DuEwa Jones. This poem from Giovanni Singleton’s collection Ascension contained text related to Alice Coltrane and her work.
A Reflection from Emerging Scholar Charity Cruz, on the 2018 Guelph Jazz Festival Colloquium: Hovering at the Edge: Words, Music, Sound, and Song.
A Reflection from Emerging Scholar Ainjel Stephens, on the 2018 Colloquium: Hovering at the Edge: Words, Music, Sound, and Song.
A Reflection from Emerging Scholar Ali Berkok, on the 2018 Colloquium: Hovering at the Edge: Words, Music, Sound, and Song.
John Heward, one of Canada’s most profoundly creative improvisers, passed on Nov. 6 2018. Known as a drummer and visual artist, his work in both media changed the Canadian artistic landscape.
Trying out different strategies as a guide through those spaces is important. But it’s also important to be able quickly to change the plan to match what the group dynamic, especially the outliers, may need to feel comfortable to explore.
A Reflection by Ellen Ringler – Crepuscule was truly extraordinary. Douglas R. Ewart’s creative vision and dedication to the people around him is inspired. The creative process of Crepuscule enhanced and allowed for freedom of expression of the individual and the creation itself fostered a sense of community. Music and creativity offer ways to appreciate the difference of the individual and work as equalizers for community building. Crepuscule opened space to encourage individual expression and foster a community spirit.
With care and ease this artist explains the value of re-claiming materials that have been discarded in order to create beauty in musical instruments.
Creating a musical shaker was meditative experience for me. This was something I appreciated in crafting my instrument, and I felt that my silence and the quiet of the others supported a focused environment where I was free to unwind as I created my piece. This quiet energy encouraged a mindful approach to instrument making where calm and peace were observed. Douglas explains and intervenes only make sure the practice is safe and accessible.