As part of our commitment to making our work and outputs accessible, and to generate further dialogue on the issues we explore, IICSI has created an online Research Library. Here you will find a range of pieces including films, articles, think pieces, and interviews. Please use the search function or browse, and check back again as this library will be updated regularly.
Research outcomes related to the Improvisation, Community, and Social Practice project (2007-2013) are available in the ICASP Research Collection.
Composer by Navid Navab discusses his thoughts and processes behind Practices of Everyday Life | Cooking, his synaesthetic performance organized around a chef, an enchanted kitchenette, and sonified ingredients.
In the summer of 2016, the International Institute for Critical Studies in Improvisation (IICSI), with support from the Musagetes Foundation and the Chawkers Foundation, mounted the inaugural session of a bilingual improvised music camp entitled Musical Improvisation at Land’s End / Coin-du-Banc en Folie! in Coin-du-Banc, in the Gaspésie region of Québec. [includes the 2016 film trailer]
Think Piece: Oku’s Sounds: Anthony Braxton and Musical Improvisation in Dionne Brand’s What We All Long For
Improvised music plays an important role in Dionne Brand’s 2005 novel What We All Long For, which tells the intertwined story of four ethnically and racially diverse twenty-somethings living in downtown Toronto.
In this Think Piece, Lefrense details how the musical practices of one of the four protagonists Oku, a second-generation Caribbean-Canadian, projects his “politics of being” through a personally curated soundtrack.
In 2015/16, IICSI and partners DodoLab and Immigrant Services Guelph-Wellington worked together on a project called “Recipe for Life.” Recipe for Life brought a group of newcomers and other Guelph residents together to eat delicious food, to appreciate the role of food in their lives and identities, and to discuss ways that improvisation can help in adapting…
This report presents the findings of a program evaluation of vocal improvisation programming offered in Guelph from March to June 2014. The program consisted of a series of vocal improvisation workshops open to any interested participants, a symposium on vocal improvisation that was also open to the public, and a final public performance by workshop members. The program was developed and implemented by Improvisation, Community, and Social Practice (ICASP) postdoctoral fellow Chris Tonelli.
Call and Response is part two, of a two part series about the 2015 Play Who You Are camp, hosted by Rainbow Programs for Children at the University of Guelph, and facilitated by pianist/improviser/student music therapist Laura Stinson.
Refuge was an arts-based inquiry into the history and ongoing significance of the underground railway and the struggles and legacies of freedom seekers.
Improvisation, Philosophy, and Listening was a panel presented during the 2013 Guelph Jazz Festival Colloquium.
The panel: Transcultural Encounters and Mixed Media was presented during the 2013 Guelph Jazz Festival Colloquium.
The Musical Radicalism and Social Activism panel was presented during the 2013 Guelph Jazz Festival Colloquium.