As part of our commitment to making our work and outputs accessible, and to generate further dialogue on the issues we explore, IICSI has created an online Research Library. Here you will find a range of pieces including films, articles, think pieces, and interviews. Please use the search function or browse, and check back again as this library will be updated regularly.
Research outcomes related to the Improvisation, Community, and Social Practice project (2007-2013) are available in the ICASP Research Collection.
Five improvisors from different genres playing together for the first time, performing a collective improvisation, featuring: Simon Docking (piano), Andrew MacKelvie (saxophone), Toni Pigot (voice), Evan Syliboy (guitar) and Taral Naik (tabla). The audience was invited to question the performers about the music played and the outcome.
From the the 2018 Guelph Jazz Festival Colloquium : Hovering at the Edge: Words, Music, Sound, and Song Moderated by IICSI researcher Kevin McNeilly, 2018 Guelph Jazz Festival artists: saxophonist Darius Jones joined collaborating vocalist Amirtha Kidambi, and band leader Thanya Iyer for a rare opportunity of knowledge transfer on a panel with a unique…
The Guelph and Cambridge KidsAbility Drum Clubs performing: Another One Bites the Dust” and “Whatcha Gonna Do With All That Funk” at the 2018 holiday performance with Drum Club Director Richard Burrows.
Camp staff learn improvisation and inclusive music-making techniques as part of the annual Journey to Inclusion training sponsored by the City of Guelph, KidsAbility, and Supporting Kids in Camp.
Sounding The City – Guelph 003 is the accompanying publication for the IICSI/Musagetes 2018 Improvisers-in-Residence Jen Reimer and Max Stein’s culminating eponymous residency project and exhibition held at the Boarding House Gallery in September 2018.
In Why I’m Here, director João França provides a glimpse into a magical world where musicians of diverse ages and abilities come together in an inclusive and supportive environment to explore the possibilities of improvisational collaborations.
The Open Ears Festival 2018 featured a Triple Bill curated by Ben Grossman with performers: Ballantyne/Harms Duo, Sound of the Mountain, and Nakamura/Taxt Duo, about their practice and the role of improvisation in their work.
Drawing on the theoretical and philosophical discourses of Jane Bennett, Erin Manning, Brian Massumi and Timothy Morton, Teresa Connors proposes a series of thinking-in-the-making moves that considers the use of computer vision and data mining as co-creative and emergent devices within non-linear audiovisual installations.
Currents is one of several interactive audiovisual installations in development by IICSI postdoc Teresa Connors that explores the environment of Newfoundland. Emerging from a meshwork of materials that includes ocean data-sets, live streamed wind data, a heart rate monitor and audiovisual material captured off the east coast of Newfoundland, Currents combines these expressive actants to explore nonlinear processes within an immersive experience.