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DTSTART;TZID=America/Toronto:20230913T160000
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UID:13641-1694620800-1694628000@improvisationinstitute.ca
SUMMARY:Thinking Spaces: Sophie Brown\, "Improvisation\, Pedagogy and Pre-Texts"
DESCRIPTION:Thinking Spaces\, “Improvisation\, Pedagogy and Pre-Texts” is presented by Sophie Brown\, and takes place Wednesday\, September 13 at 4pm ET. The talk includes a presentation followed by a guided Q&A and conversation period.  \nSophie will provide an interactive overview of Pre-Texts\, a creative teaching protocol integrating civics\, literacy\, and innovation. Based on her recently published co-authored chapter\, “Counter-Melodies and Creativity: Filling the Gaps in a Rural Colorado School\,” Sophie will reflect on the improvisatory nature of Pre-Texts and how the application of this approach can close the gap between the idealism and practicality of a creative\, collaborative\, and co-owned classroom experience.  \nJoining us for this session of Thinking Spaces is Sophie’s external respondent\, the renowned scholar\, Dr. Georgina Barton. \nThis talk will be a hybrid event\, taking place in-person in ImprovLab\, University of Guelph\, and virtually\, via Zoom (a Zoom link will be emailed to all virtual attendees on the morning of the event). Registration is required to attend in person and via Zoom. Sign up now! \nMore about this talk:\nSophie’s talk is based on her recently published chapter about Pre-Texts\, and offers an overview of the method for integrating civics\, innovation\, and literacy in the classroom. It draws on the experience of Lindsay Bobyak and Sophie Brown in using Pre-Texts with elementary students as part of Creative Roots Collective\, which provides educational opportunities in rural Colorado. Sophie will outline tangible strategies for elementary teachers and educators which can improve literacy and oracy outcomes for students and bridge the gap between the idealism and practicality of a creative\, collaborative\, and co-owned classroom experience. The presentation includes vignettes of the arts-based protocol in action and breaks down the component Pre-Texts activities. Finally\, Sophie will look at positive changes in student behaviour and provide guidance for integrating Pre-Texts into the classroom. \nMore about the speaker:\nSophie Brown is a PhD student in Critical Studies in Improvisation with a collaborative specialization in International Development Studies. In partnership with the British-Academy funded Education\, Peace\, and Politics research network\, she is conducting research on higher education pedagogy at Koya University in the Kurdistan Region of Iraq. In addition to graduate studies at the University of Guelph\, Sophie is part of the 2023 MBA Cohort at the Global Leaders Institute for Arts Innovation. The program focuses on social entrepreneurship\, cultural management\, sustainable impact\, and community development. This is the first executive MBA in Arts innovation in the world\, and Sophie is a part of the first graduating cohort.
URL:https://improvisationinstitute.ca/event/thinking-spaces-sophie-brown-improvisation-pedagogy-and-pre-texts/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Thinking Spaces
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2023/09/Thinking-Spaces-Sophie-Brown-Fall-2023.png
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DTSTART;VALUE=DATE:20230715
DTEND;VALUE=DATE:20230723
DTSTAMP:20230213T152714Z
CREATED:20230131T195127Z
LAST-MODIFIED:20230213T152714Z
UID:13160-1689379200-1690070399@improvisationinstitute.ca
SUMMARY:Musical Improvisation at Land’s End / Coin-du-Banc en folie
DESCRIPTION:July 15-22\, 2023\, Coin-du-Banc\, Québec \nCamp Faculty: Joane Hétu and Jean Derome\nGuest artists: TBD \nThe Gaspé coast has been listed by National Geographic as one of the top 20 tourist destinations in the entire world. Nestled in the most easterly tip of the region appropriately known as the Land’s End\, and minutes away from the famous Rocher Percé\, the coastal village of Coin-du-Banc offers an inspirational and spectacular natural setting for a summer camp devoted to musical improvisation. We contend that where the land ends\, imagination begins. \nPresented by the International Institute for Critical Studies in Improvisation (IICSI)\, this summer camp seeks to develop innovative strategies to put aspiring musicians in direct and meaningful contact with professional improvisers. Musical Improvisation at Land’s End (MILE) is a unique summer camp that will engage musicians in hands-on workshops led by world-class improvising artists. \nThe workshops will take place in an inclusive and supportive environment\, nurturing and developing musical improvisation as a vital model of arts-based community-making. In addition to participating in workshops\, lecture-demonstrations\, and jam sessions\, campers (aged 16 and up) will attend concerts and have opportunities to experience some of the unique tourist attractions that the area has to offer\, including whale watching\, visits to local artisans’ studios\, and tours that highlight the region’s breathtaking beauty. \nThe objectives for this project are: \n\nTo connect members of diverse communities (including from under-resourced regions) with profound experiences of improvised music making;\nTo foster\, through improvised musical collaboration\, relationships and understanding between youth from diverse urban and rural backgrounds;\nTo contribute to participants’ sense of confidence in themselves as musicians\, and as members of a community;\nTo promote creativity through immersion in collaborative creative practice\, and experimentation in musical improvisation\, and\nTo investigate and document the impacts of the program through a complementary research and evaluation component.\n\nWe anticipate that the MILE camp will become a landmark site for the development of contemporary creative music where participants are offered a unique opportunity and setting to interact with\, and learn from\, influential figures within the field of improvised music. \nThe camp will run from July 15-22\, 2023\, in Coin-du-Banc\, Québec. Campers can purchase our Campers-In-Residence package\, Single Day package\, or stay overnight as a companion of a participant. Information on fees is available via our Cost Sheet. \nIf you are experiencing financial barriers that inhibit you from attending MILE camp\, a limited amount of funding may be available. Please inquire at improvisationcamp@gmail.com. \nTo start your booking process\, please complete the registration form. Only successful candidates will be contacted for next steps. \nThe deadline to apply is April 30\, 2023. \n\nLe 15-22 julliet\, 2023\, Coin-du-Banc\, Québec \nLa Gaspésie a été classée par « National Geographic » comme l’une des vingt destinations touristiques les plus remarquables dans le monde entier. Niché dans la pointe est de la région connue comme le « bout du monde »\, et à quelques minutes du célèbre Rocher Percé\, le village côtier de Coin-du- Banc offre un cadre spectaculaire\, naturel\, et stimulant pour un camp d’été d’improvisation musicale. À notre avis\, c’est au bout du monde\, que commence l’imagination. \nSous la direction de l’Institut international pour les études critiques en improvisation (IICSI)\, ce camp d’été cherche à découvrir des stratégies innovatrices pour mettre les musiciens en contact avec des improvisateurs professionnels. « Coin-du- Banc en folie » est donc un camp d’été unique qui propose aux jeunes des ateliers dirigés par des artistes exceptionnels et de renommée internationale. \nLes ateliers prennent place dans un environnement d’accueil et de soutien\, encourageant et développant l’improvisation musicale pour en faire un modèle important de la création de communautés basée sur les arts. En plus de participer à des ateliers\, des démonstrations et des sessions de « jam »\, les campeurs (âgés de 16 ans et plus) participeront à des concerts et auront l’occasion de découvrir des attractions touristiques uniques de la région : l’observation des baleines\, des visites aux ateliers d’artisans locaux et des visites touristiques soulignant la beauté naturelle de la région. \nLes objectifs de ce projet sont de : \n\nEngager des membres de divers communautés (notamment des régions défavorisés) dans une expérience profonde en improvisation musicale;\nFavoriser\, grâce à la collaboration que suscite l’improvisation musicale\, les relations et la compréhension entre les jeunes issus de milieux urbains et ruraux divers;\nContribuer à la confiance en soi des participants comme musiciens et comme membres d’une communauté;\nPromouvoir le processus de création en immergeant les participants dans une pratique collaborative de création et dans l’expérimentation d’improvisation musicale;\nExaminer et documenter le processus du programme à l’aide d’un élément de recherche et d’évaluation complémentaire.\n\nNous prévoyons que le camp musicale « Coin-du- Banc en folie » deviendra site marquantpour le développement de la musique créative contemporaine\, où les participants auront l’occasion singulièred’interagir et apprendre dans un cadre unique avec des personnalités influentes dans le domaine de la musique improvisée. \nLe camp aura lieu du 15 au 22 julliet\, 2023\, à Coin-du-Banc\, Québec. Les campeurs peuvent acheter notre forfait Campeurs en résidence\, forfait d’une journée ou passer la nuit en tant qu’accompagnateur d’un participant. Étant donné que le camp est assez intime\, l’espace est limité pour ceux qui passent les nuits au camp. \nPour obtenir des informations sur les tarifs du camp 2023\, consultez notre fiche de coûts. Si vous rencontrez des obstacles financiers qui vous empêchent de participer à MILE\, un montant limité de financement peut être disponible. Veuillez vous renseigner à improvisationcamp@gmail.com. \nPour commencer votre processus de réservation\, veuillez remplir le formulaire d’inscription. Seuls les candidats retenus seront contactés pour les prochaines étapes. \nLa date limite d’inscription est le 30 avril 2023.
URL:https://improvisationinstitute.ca/event/musical-improvisation-at-lands-end-coin-du-banc-en-folie/
LOCATION:Coin-du-Banc\, Québec\, 315 Rte 132\, \, Percé\, Quebec\, G0C 2L0\, Canada
CATEGORIES:IICSI events
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DTSTART;TZID=America/Toronto:20230329T140000
DTEND;TZID=America/Toronto:20230329T153000
DTSTAMP:20230322T190205Z
CREATED:20230314T170950Z
LAST-MODIFIED:20230322T190205Z
UID:13346-1680098400-1680103800@improvisationinstitute.ca
SUMMARY:Thinking Spaces: Marsha Hinds Myrie\, "Improvisation\, Plantation Societies and Difficult Conversations"
DESCRIPTION:Thinking Spaces\, “Improvisation\, Plantation Societies and Difficult Conversations” is presented by Marsha Hinds Myrie\, and takes place Wednesday\, March 29 at 2pm ET. The talk includes a presentation followed by a guided Q&A and conversation period.  \nMarsha will present a brief overview of literature about the plantation society and the presentation of social injustice as a remnant of plantation and post coloniality.  She will be joined virtually by Barbadian film producer\, Russell Watson\, to discuss the question of using art as an advocacy tool. The presentation will conclude with a closer analysis of the activist theatre run by the National Organization of Women for its successes and possibilities.  \nThis talk takes place in-person in MacKinnon room 103\, University of Guelph. Registration is required to attend. Sign up now! \nMore about the talk:\nThe stated purpose of the International Institute for Critical Studies in Improvisation is “…to create positive social change through the confluence of improvisational arts\, innovative scholarship\, and collaborative action.” The purpose of this talk is to invite partnership and mutual sharing in Critical Studies in Improvisation to imagine uses and expansion in plantation societies.  Using art to confront complicated social issues is a long accepted and well received practice in plantation societies. Drumming\, calypso\, reggae music and parodies have been used by populations where other forms of expression such as newspapers and even social media are heavily policed to control dissent or calls for justice.  \nIn 2018\, just before the global COVID pandemic the National Organization of Women of Barbados reactivated the connection between women’s social justice organizing and art – specifically theatre.  The practice of using theatre to focus and engage women themselves and the general public has been in vogue since the 1970s when the Women’s collective\, Sistren was formed in Jamaica.  By putting Critical Studies in Improvisation in conversation with the Caribbean women’s organizing strategies I hope to encourage both groups to continue to think about the importance of their work specifically for modern day plantation societies.    \nMore about the speaker:\nMarsha Hinds Myrie’s life and work are an embodiment of dualities and intersections. She is a Barbadian/Canadian citizen with an ancestral\, cultural and intellectual home in Africa. Her career unfolds\, sometimes spectacularly and sometimes confusingly at the intersections of activism and education with research being a forced endeavour to maintain the grace of the academy. \nHinds Myrie is President’s Gender Equity Committee postdoctoral fellow with a focus on women’s leadership at the University of Guelph and the immediate past president of the National Organization of Women of Barbados. She spent 22 years developing an advocacy model to address the issues of underprivileged groups of women in Barbados and the Commonwealth Caribbean. The major focus of the work is to develop and encourage the use of victim defined services for women and girls affected by various types of gender-based violence while at the same time removing the burden of eradicating violence from women and victims by forcing a stronger lobby in policy spaces. \nThe philosophical mooring for Marsha’s interaction with equity work come partly out of her PhD research which focused on the ways in which political and cultural experiences shaped the development and creation of intellectual spaces and intellectual thought in Commonwealth Caribbean tertiary institutions. The epistemological valleys that create disciplines in the Western academy are still immensely uncomfortable for Hinds Myrie but if forced she would classify her work as womanism\, Black Studies\, philosophy as praxis and intellectual history. \nMarsha is mother to four biological children\, godmother to one amazing godbaby and aunty to scores others.
URL:https://improvisationinstitute.ca/event/thinking-spaces-marsha-hinds-improvisation-plantation-societies-and-difficult-conversations/
LOCATION:online
CATEGORIES:IICSI events,Thinking Spaces
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230315T140000
DTEND;TZID=America/Toronto:20230315T160000
DTSTAMP:20230309T162330Z
CREATED:20230309T162100Z
LAST-MODIFIED:20230309T162330Z
UID:13333-1678888800-1678896000@improvisationinstitute.ca
SUMMARY:Thinking Spaces: Rebecca Barnstaple\, "Fidelity for the Irreplicable: Improvisation in Dance and Health Research"
DESCRIPTION:Our next Thinking Spaces session\, “Fidelity for the Irreplicable: Improvisation in Dance and Health Research” is presented by Rebecca Barnstaple\, and takes place Wednesday\, March 15 at 2pm ET. The talk includes a movement demonstration and takes place in-person in our brand new ImprovLab. \nRegister through our google form to attend! \nMore about the talk:\nImprovisation is a core element of some interventions in the emerging fields of dance for health and dance therapy\, which have shown potential to slow progress or diminish symptoms of neurodegenerative diseases such as Parkinson’s and Alheimer’s. IMPROVment® is a dance-based improvisational movement practice for brain-body health developed at Wake Forest University. It has been used in several research studies\, including a recently completed RCT (2017 – 2020) and a just-launched 5-year RCT investigating dose and frequency effects of dance interventions for adults with subjective memory loss. This talk explores how tools related to improvisation can be adapted to a research-ready scientific protocol while preserving their integrity and magic – includes a demonstration. \nMore about the speaker:\nRebecca Barnstaple is the Manager of Community Programs and Engagement at Chigamik Community Health Centre in Midland\, Ontario\, a tri-cultural agency offering a range of services from Traditional Healing and social prescribing to mental health and primary care. Rebecca recently completed a PhD and Postdoctoral Fellowship at York University investigating the neurobiological effects of dance in health and disease and is adjunct faculty in the dance department. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens in Montreal (NCDT 2015)\, she offers dance-therapy based programs for people with Parkinson’s\, Alzheimer’s\, and Chronic Pain\, and provides education and training in dance therapy and dance interventions for the NCDT\, Dance for Health Nova Scotia\, and IMPROVment (Wake Forest University\, North Carolina). \nRebecca co-chairs the Certification and Accreditation committee of the Dance Movement Therapy Association of Canada (DMTAC) and serves on the Research and Practice committee of the American Dance Therapy Association (ADTA)\, the Research Group of the NCDT\, and the Dance for Health committee of the International Association of Dance Medicine Science (IADMS). 
URL:https://improvisationinstitute.ca/event/thinking-spaces-rebecca-barnstaple-fidelity-for-the-irreplicable-improvisation-in-dance-and-health-research/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Thinking Spaces
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230306T130000
DTEND;TZID=America/Toronto:20230306T143000
DTSTAMP:20230227T184004Z
CREATED:20230210T204806Z
LAST-MODIFIED:20230227T184004Z
UID:13258-1678107600-1678113000@improvisationinstitute.ca
SUMMARY:Thinking Spaces: Rashida K. Braggs\, "Black Women Who Move Jazz Methodologies"
DESCRIPTION:Thinking Spaces\, the Improvisation Reading Group and Speaker Series\, considers the ways in which improvisation can provide us with new ways of thinking and acting. The group is open to all—community members\, faculty\, and students—and presents several in-person and online events per semester. \nOur next session\, “Black Women Who Move Jazz Methodologies”\, is presented by scholar Dr. Rashida K. Braggs. The talk takes place Monday\, March 6 from 1-2:30 pm in-person at MacKinnon 103\, University of Guelph\, and online via Zoom. Sign up through our registration form to attend in-person or online. A Zoom link will be sent to participants email address the day before the event. \nMore About this Talk:\nHow do you make a book move? Move to depart and return to the diverse homes of Black African diasporic women… move in the word-sound-mood tones of the jazz they perform… move readers to resonate and sense their experiences beyond static pages of academic prose. \nIn this presentation\, Rashida K. Braggs discusses her methodological moves that mix dance ethnography\, songwriting\, and playwriting in her book-performance in progress on the migrations of black women jazz performers to Paris\, France. Braggs guides us through an early chapter where she weaves her material and embodied research on the Malagasy-Senegalese singer MFA Kera and Beninese singer Angelique Kidjo as they first migrate to Paris in 1969 and 1983 respectively.  \nMore About the Speaker:\nRashida K. Braggs is Associate Professor in Africana Studies and a faculty affiliate in Comparative Literature at Williams College. Her book Jazz Diasporas: Race\, Music and Migration in Post-World War II Paris investigates the migratory experiences of African American jazz musicians in 1946-1963 Paris. In her current manuscript and accompanying performance project “Move Jazz\, Black Woman Move\,” she explores how and why black women jazz performers of African descent migrate to and from Paris from 1969-2019. \nRashida K. Braggs is also a scholar-performer who acts\, dances\, sings\, composes music and performs spoken word. Trained in Performance Studies\, Communications\, Theater Studies\, and English\, she consistently weaves performance through her pedagogy and scholarship. Jacob’s Pillow\, the Williams College Museum of Art\, the Tapir gallery and the United Solo Theatre Festival have featured her performances. 
URL:https://improvisationinstitute.ca/event/thinking-spaces-rashida-k-braggs/
LOCATION:University of Guelph\, MacKinnon Building\, 87 Trent Ln\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Thinking Spaces
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230208T130000
DTEND;TZID=America/Toronto:20230208T143000
DTSTAMP:20230126T213837Z
CREATED:20221026T205305Z
LAST-MODIFIED:20230126T213837Z
UID:13007-1675861200-1675866600@improvisationinstitute.ca
SUMMARY:Thinking Spaces: "Improv for Scientists"
DESCRIPTION:Thinking Spaces: The Improvisation Reading Group and Speaker Series is pleased to present “Improv for Scientists”: Joanne O’Meara in conversation with Shoshanah Jacobs. This event will take place on Wednesday\, February 8 at 1pm (ET) in-person (MacKinnon building\, room 103\, University of Guelph) as well as streamed online (via Zoom). A moderated Q&A will follow the talk. If you are interested in attending in-person or online\, please register via this link: https://uoguel.ph/thinkingspacesimprovforscientists. A Zoom link will be sent to your email the day before the event. MORE ABOUT THIS TALK: Improvisational exercises have been a key element of theatre training for decades. With minor modification\, these same exercises can be used in training scientists (and future scientists) to be better communicators. I’ll discuss my use of improv with our physics majors at U of G and give some examples of the science-y twists we throw on the activities to suit our purposes. MORE ABOUT OUR SPEAKERS: Dr. Joanne O’Meara has been a professor in the Department of Physics at the University of Guelph for more than 20 years\, serving for almost 10 of those years as the Associate Chair (undergraduate). Joanne earned her PhD in Medical Physics from McMaster University and has since transitioned to a focus on Physics Education in her scholarly work. She is an award-winning educator with a deep commitment to her students.  Her most recent project involves the launch of a non-profit organization\, Royal City Science\, with the ultimate goal of building a new\, state-of-the-art\, science centre for southwestern Ontario. Dr. Shoshanah Jacobs takes a systems approach to answering questions that are relevant within the communities that they work with. It means that they spend a lot of time learning about other disciplines. Their research expertise includes eco-physiology and biomimetics (aka biomimicry) and they apply this training to help communities develop nature-inspired solutions to challenges. They have worked with the community of Guelph in identifying ways to accessibly reduce the use of single-use plastics\, and have tracked the way that personal-protective equipment (PPE) moves through and away from the waste stream to affect wildlife around the world. Dr. Jacobs started the BioM Knowledge Access Lab research group in 2012 to make science knowledge more accessible to community members and to engage the community in designing more inclusive ways of collecting information. They are an Associate Professor in the Department of Integrative Biology. Ask them why Gentoo Penguins are simply the best. 
URL:https://improvisationinstitute.ca/event/thinking-spaces-improv-for-scientists/
LOCATION:University of Guelph\, MacKinnon Building\, 87 Trent Ln\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Thinking Spaces
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2022/10/Thinking-Spaces_Improv-for-Scientists-Poster_Feb-8-2023.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230118T100000
DTEND;TZID=America/Toronto:20230118T233000
DTSTAMP:20230126T211428Z
CREATED:20230112T200659Z
LAST-MODIFIED:20230126T211428Z
UID:13121-1674036000-1674084600@improvisationinstitute.ca
SUMMARY:Thinking Spaces: Darren O'Donnell
DESCRIPTION:Thinking Spaces: The Improvisation Reading Group and Speaker Series is pleased to present “Chance as Co-Director: Working with the Whims of Children\,” a talk by Darren O’Donnell. This event will take place on Wednesday\, January 18 at 10am (ET)\, online (via Zoom). A moderated Q&A will follow the talk. \nIf you are interested in attending\, please register via this link: https://uoguel.ph/tsdarrenodonnell. A Zoom link will be sent to your email the day before the event. \nMORE ABOUT THIS TALK: \nIn this talk\, Darren will discuss how a number of projects developed and presented through Mammalian Diving Reflex—the research-art atelier that Darren directs—were conceived through chance encounters with kids\, and then how they were shaped and how they evolved in response to the interest of the kids. \nDarren will discuss how Mammalian Diving Reflex works with young people in the long term\, accommodating the specific youth who come to us\, rather than through an audition or hiring process. There’s a good deal of chance and\, in fact\, faith in that. \nDarren will also introduce a model he uses to evaluate the various dimension of rigour in a project and\, specifically\, how social rigour relies on being very open to chance\, as opposed to physical rigour (think cirque du soleil as the ultimate in physical rigour) where chance is absolutely the enemy—in performance\, at least. \nMORE ABOUT OUR SPEAKER: \nDarren O’Donnell is an urban cultural planner\, novelist\, essayist\, playwright\, filmmaker\, performance director and the Artistic and Founding Director of Mammalian Diving Reflex. His books include: Your Secrets Sleep with Me (2004); Social Acupuncture (2006)\, which argues for an aesthetic of civic engagement; and Haircuts by Children and Other Evidence for a New Social Contract (2018)\, which proposes the cultural sector as a site to pilot a new social contract with children. His performance works include Haircuts by Children\, All the Sex I’ve Ever Had\, The Children’s Choice Awards and Teentalitarianism. His model for long-term collaboration with young people is being applied in London\, Bochum\, Milan\, and Berlin. He is interested in expanding and rethinking the role that cultural intuitions play in the world\, particularly around long-term engagement and collaborative friendships that extend into the community. \nHis institutional collaborators have included the Royal Botanic Gardens Victoria\, the Humboldt Forum\, the Tate Modern and Tate Britain\, the West Kowloon Cultural District\, the London International Festival of Theatre\, the Metropolitan Region of Rhine-Neckar\, the Schauspielhaus Bochum and the Portland Institute of Contemporary Art.
URL:https://improvisationinstitute.ca/event/thinking-spaces-darren-odonnell/
LOCATION:online
CATEGORIES:IICSI events,Thinking Spaces
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20221202T100000
DTEND;TZID=America/Toronto:20221202T143000
DTSTAMP:20230126T211428Z
CREATED:20221027T182450Z
LAST-MODIFIED:20230126T211428Z
UID:13017-1669975200-1669991400@improvisationinstitute.ca
SUMMARY:Workshop with meLê yamomo: "Post:Migrant Presences"
DESCRIPTION:Friday\, December 2 // 10am – 2:30pm EDTRegistration limited—sign up here!8/15 spots reserved for BIPOC participantslunch providedUniversity of Guelph103 Mackinnon Building87 Trent Lane \nHow can ‘presence’ interrupt dominant aesthetics? How could the inhabiting of the here and now be a revolutionary act? If history is a musical score of modernity or a play script of colonial conquest\, how can improvisation be a radical act of decoloniality? \nThis workshop explores how ‘presence’ constitutes aesthetic experience\, and how the aesthetic reshifts how we compose or order the world. In understanding our movements\, mobilities\, and presences within social\, geographical\, and historical spaces\, how might our improvisation radically shift history?  Parousia\, according to philosopher Hans-Georg Gadamer is the state of absolute presence—the timelessness of an experience despite and within its multiple repetitions in art and performance. In suspending time through parousia\, how can we decolonize fixed scores and deterministic dramaturgies to improvise and migrate our present to new futures? \nMORE ABOUT OUR SPEAKERS \nMELÊ YAMOMO\nmeLê yamomo lived in Lucena City\, Los Baños\, Metro Manila\, Seoul\, Bangkok\, Warwick\, and Munich\, and now inhabits Amsterdam and Berlin researching\, teaching\, and creating performance/theatre and sound/music. He is Assistant Professor of Performances Studies\, Sound Studies\, Artistic Research and Decoloniality at the University of Amsterdam\, the author of Sounding Modernities: Theatre and Music in Manila and the Asia Pacific\, 1869-1946 (Palgrave Macmillan\, 2018)\, and project leader and principal investigator of the projects »Sonic Entanglements« and Decolonizing Southeast Asian Sound Archives (DeCoSEAS). meLê is resident artist at Theater Ballhaus Naunynstrasse where his creations Echoing Europe\, sonus\, and Forces of Overtones are on repertoire. meLê also curates the Decolonial Frequences Festival and hosts the Sonic Entanglements podcast. \nTEILHARD PARADELA\n\nTeilhard Paradela (they/them) works as a policy maker\, community leader\, historian\, archivist\, and dramaturge. They immigrated from the Philippines to Canada\, where they settled (uninvited)\, studied\, worked\, and grew up in the unceded\, ancestral\, and traditional territories of the Musqueam\, Squamish\, and Tsleil-Waututh Nations\, otherwise known as Vancouver\, British Columbia.
URL:https://improvisationinstitute.ca/event/workshop-with-mele-yamomo/
LOCATION:University of Guelph\, 50 Stone Road East\, Guelph\, Ontario\, N1G 2W1\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2022/11/IICSI_BigIdeas_Nov22_Poster-final-scaled.jpg
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DTSTART;TZID=America/Toronto:20221201T190000
DTEND;TZID=America/Toronto:20221201T210000
DTSTAMP:20230126T211428Z
CREATED:20221027T182406Z
LAST-MODIFIED:20230126T211428Z
UID:13015-1669921200-1669928400@improvisationinstitute.ca
SUMMARY:Big Ideas in Art + Culture + Improvisation: meLê yamomo in conversation with Teilhard Paradela
DESCRIPTION:Big Ideas in Art + Culture + Improvisation:\n“…and when I speak\, my brown skin and the entire ecology vibrate.”\nmeLê yamomo in conversation with Teilhard Paradela\nThursday\, December 1 // 7pm – 9pmArts Auditorium at University of Guelph\, 113 McKinnon BuildingRefreshments served in advance of the talkBerlin- and Amsterdam-based curator\, scholar\, and artist meLê yamomo will be presenting this performance/lecture on decolonizing sound in conversation with Montreal-based scholar Teilhard Paradela. In his works as artist-scholar\, meLê engages the topics of sonic migrations\, queer aesthetics\, and post/de-colonial acoustemologies. Musagetes\, the ArtsEverywhere Festival\, International Institute for Critical Studies in Improvisation (IICSI) and CAFKA are proud to co-present this Big Ideas in Art + Culture + Improvisation lecture.This event is free and open to the public! Facebook Event Here \n\nMORE ABOUT THIS TALK \nWhat lies in between theory and aesthetics? Situatedness and migration? Sounding and listening? Performing and perception? the Universal Self and the Colonial Other? What understandings transpire in imagining beyond social imaginations of racial\, national\, cultural\, gender\, or disciplinary borders and boundaries? What knowledges emerge through hearing? How can processes of soundings and listening transform us towards a postmigrant society? In this video performance lecture meLê yamomo resound their philosophy of sound and the sonus—migrating between continents\, cultures\, artistic practices\, and academic disciplines.\n \nMORE ABOUT OUR SPEAKERS \nmeLê yamomo\nmeLê yamomo lived in Lucena City\, Los Baños\, Metro Manila\, Seoul\, Bangkok\, Warwick\, and Munich\, and now inhabits Amsterdam and Berlin researching\, teaching\, and creating performance/theatre and sound/music. He is Assistant Professor of Performances Studies\, Sound Studies\, Artistic Research and Decoloniality at the University of Amsterdam\, the author of Sounding Modernities: Theatre and Music in Manila and the Asia Pacific\, 1869-1946 (Palgrave Macmillan\, 2018)\, and project leader and principal investigator of the projects »Sonic Entanglements« and Decolonizing Southeast Asian Sound Archives (DeCoSEAS). meLê is resident artist at Theater Ballhaus Naunynstrasse where his creations Echoing Europe\, sonus\, and Forces of Overtones are on repertoire. meLê also curates the Decolonial Frequences Festival and hosts the Sonic Entanglements podcast. \nTeilhard Paradela\n\nTeilhard Paradela took up Philippine Cinema\, Literature\, and Culture in the University of the Philippines. He completed his BFA degree in Creative Writing and Drama at the University of British Columbia and went to the University of Amsterdam and the University of Tampere for his MA degree in International Performance Research. He is currently writing his PhD dissertation on how the media during the Marcos regime in the Philippines imagined and constituted the masses as actors and spectators in both the political and the theatrical sense.
URL:https://improvisationinstitute.ca/event/big-ideas-in-improvisation-lecture-mele-yamomo/
LOCATION:University of Guelph\, 50 Stone Road East\, Guelph\, Ontario\, N1G 2W1\, Canada
CATEGORIES:IICSI events
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DTSTART;TZID=America/Toronto:20221116T130000
DTEND;TZID=America/Toronto:20221116T143000
DTSTAMP:20230126T211553Z
CREATED:20221026T200640Z
LAST-MODIFIED:20230126T211553Z
UID:13003-1668603600-1668609000@improvisationinstitute.ca
SUMMARY:Thinking Spaces: Eric Lewis
DESCRIPTION:Thinking Spaces: The Improvisation Reading Group and Speaker Series is pleased to present “Improvising the Archive: Medea Electronique’s Archive of Digital Art\,” a talk by Eric Lewis. This event will take place on Wednesday\, November 16 at 1pm (ET) in person (The IICSI House\, 9 University Avenue E.\, University of Guelph) as well as streamed online (via Zoom). A moderated Q&A will follow the talk. Please note that Eric will be joining this session online. \nIf you are interested in attending online\, please register via this link: https://uoguel.ph/thinkingspacesericlewis. A Zoom link will be sent to your email the day before the event. \nMORE ABOUT THIS TALK: \nEric will discuss assorted ways the digital domain opens up archives for more improvisatory ways of interacting with their contents\, and will describe the Medea Electronique archive\, and the thinking behind the recent project by co-authored by Eric called From Fruit to Root\, concerning this archive\, and theories concerning interactive archive and improvisational archive theory. \nMORE ABOUT OUR SPEAKER: \nEric Lewis is a professor of Philosophy at McGill University\, who specializes in the philosophy of improvisatory arts. He is also the President of AIM (Arts in the Margins)\, the Director of LUC (Laboratory of Urban Culture)\, and sits on the managment committee of IICSI. He is a member of Medea Electronique\, and an active improvisor on brass and electronics.
URL:https://improvisationinstitute.ca/event/thinking-spaces-eric-lewis/
LOCATION:The IICSI House – 9 University Ave\, 9 University Ave E\, Guelph\, Ontario\, Canada
CATEGORIES:Thinking Spaces
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2022/10/Thinking-Spaces-Eric-Lewis_Poster.jpg
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DTSTART;TZID=America/Toronto:20221110T160000
DTEND;TZID=America/Toronto:20221110T180000
DTSTAMP:20230126T211518Z
CREATED:20221027T183846Z
LAST-MODIFIED:20230126T211518Z
UID:13019-1668096000-1668103200@improvisationinstitute.ca
SUMMARY:Fillum Circle Presents: “The Great Indian Kitchen” Screening and Discussion
DESCRIPTION:Fillum Circle Presents a film screening and discussion of the 2021 Jeo Baby film “The Great Indian Kitchen” on Thursday\, Nov 10\, 4-6pm in Mackinnon 019 (Interdisciplinary Hub\, University of Guelph). This event is free and all are welcome to attend! \nWatch the film trailer here. \n\n\n“A terrific\, trenchant film\, whose director Jeo Baby questions patriarchy and gender expectations . . . and looks at the very real possibility of smashing them.” Shubhra Gupta\, The Indian Express \nThis event is sponsored by CIRCLE and IICSI.
URL:https://improvisationinstitute.ca/event/fillum-circle-presents-the-great-indian-kitchen-screening-and-discussion/
LOCATION:University of Guelph\, MacKinnon Building\, 87 Trent Ln\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2022/10/IICSI_FilmScreening_Nov22_03_Final-scaled.jpg
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