BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//IICSI - ECPv6.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:IICSI
X-ORIGINAL-URL:https://improvisationinstitute.ca
X-WR-CALDESC:Events for IICSI
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Toronto
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240911T090000
DTEND;TZID=America/Toronto:20240911T170000
DTSTAMP:20250421T172408Z
CREATED:20240808T175008Z
LAST-MODIFIED:20250421T172408Z
UID:14689-1726045200-1726074000@improvisationinstitute.ca
SUMMARY:2024 Guelph Jazz Festival Colloquium: "Sheets of Sound: Jazz\, Improvisation\, and Liner Notes"
DESCRIPTION:Please join us from Wednesday\, September 11–Saturday\, September 14 for the 2024 Guelph Jazz Festival Colloquium in Guelph\, Ontario\, Canada. \nThis year’s event\, titled “Sheets of Sound: Jazz\, Improvisation\, and Liner Notes\,” draws inspiration from jazz critic and historian Ira Gitler’s description of legendary jazz saxophonist John Coltrane’s 1958 recording Soultrane. Gitler famously coined the phrase\, “sheets of sound” to describe Coltrane’s playing. The event also takes its cues from Daphne Brooks’ recent work\, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound\, highlighting the overlooked contributions of Black women in the history of popular music. Dr. Brooks\, one of the colloquium’s keynote speakers\, will present a compelling new work on Friday from 2:30–3:45 PM\, titled “Liner Notes for the Hurricane: Crate Digging for Porgy and Bess.” The other keynote speaker\, Ashley Kahn\, a prolific American music historian\, will deliver a presentation on Thursday from 3:45–4:45 PM\, titled “Liner Noting in the Time of Streaming.”\n \nThis colloquium will take place in person at ImprovLab (Room 108 MacKinnon Building) on the University of Guelph Campus. The event is free and open to everybody. \n\nMore About This Event:\nSince 1996 the Guelph Jazz Festival Colloquium\, co-presented by the University of Guelph in partnership with the Guelph Jazz Festival\, has brought together diverse communities of interest by providing a scholarly forum for dialogue among researchers\, creative practitioners\, arts presenters\, and members of the general public. \nThe focus of this year’s colloquium is “Liner Notes” \nIn what ways have liner notes shaped the way the music is received? To what extent do liner notes contribute to the ways in which we negotiate and construct meaning about the music\, how we understand history\, how and why we listen? In what ways have digital dissemination and streaming services disrupted our notions of liner notes? And how has this shifted listener/audience understanding about their favourite artists? \nThe learn more about this year’s presenters and to see a full schedule\, please follow this link to the colloquium web portal.
URL:https://improvisationinstitute.ca/event/2024gjfc-sheets-of-sound-jazz-improvisation-and-liner-notes/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/08/2024_JazzFestivalColloquium_Promo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240911T090000
DTEND;TZID=America/Toronto:20240911T170000
DTSTAMP:20250421T172408Z
CREATED:20240808T175008Z
LAST-MODIFIED:20250421T172408Z
UID:14689-1726045200-1726074000@improvisationinstitute.ca
SUMMARY:2024 Guelph Jazz Festival Colloquium: "Sheets of Sound: Jazz\, Improvisation\, and Liner Notes"
DESCRIPTION:Please join us from Wednesday\, September 11–Saturday\, September 14 for the 2024 Guelph Jazz Festival Colloquium in Guelph\, Ontario\, Canada. \nThis year’s event\, titled “Sheets of Sound: Jazz\, Improvisation\, and Liner Notes\,” draws inspiration from jazz critic and historian Ira Gitler’s description of legendary jazz saxophonist John Coltrane’s 1958 recording Soultrane. Gitler famously coined the phrase\, “sheets of sound” to describe Coltrane’s playing. The event also takes its cues from Daphne Brooks’ recent work\, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound\, highlighting the overlooked contributions of Black women in the history of popular music. Dr. Brooks\, one of the colloquium’s keynote speakers\, will present a compelling new work on Friday from 2:30–3:45 PM\, titled “Liner Notes for the Hurricane: Crate Digging for Porgy and Bess.” The other keynote speaker\, Ashley Kahn\, a prolific American music historian\, will deliver a presentation on Thursday from 3:45–4:45 PM\, titled “Liner Noting in the Time of Streaming.”\n \nThis colloquium will take place in person at ImprovLab (Room 108 MacKinnon Building) on the University of Guelph Campus. The event is free and open to everybody. \n\nMore About This Event:\nSince 1996 the Guelph Jazz Festival Colloquium\, co-presented by the University of Guelph in partnership with the Guelph Jazz Festival\, has brought together diverse communities of interest by providing a scholarly forum for dialogue among researchers\, creative practitioners\, arts presenters\, and members of the general public. \nThe focus of this year’s colloquium is “Liner Notes” \nIn what ways have liner notes shaped the way the music is received? To what extent do liner notes contribute to the ways in which we negotiate and construct meaning about the music\, how we understand history\, how and why we listen? In what ways have digital dissemination and streaming services disrupted our notions of liner notes? And how has this shifted listener/audience understanding about their favourite artists? \nThe learn more about this year’s presenters and to see a full schedule\, please follow this link to the colloquium web portal.
URL:https://improvisationinstitute.ca/event/2024gjfc-sheets-of-sound-jazz-improvisation-and-liner-notes/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/08/2024_JazzFestivalColloquium_Promo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240911T090000
DTEND;TZID=America/Toronto:20240911T170000
DTSTAMP:20250421T172408Z
CREATED:20240808T175008Z
LAST-MODIFIED:20250421T172408Z
UID:14689-1726045200-1726074000@improvisationinstitute.ca
SUMMARY:2024 Guelph Jazz Festival Colloquium: "Sheets of Sound: Jazz\, Improvisation\, and Liner Notes"
DESCRIPTION:Please join us from Wednesday\, September 11–Saturday\, September 14 for the 2024 Guelph Jazz Festival Colloquium in Guelph\, Ontario\, Canada. \nThis year’s event\, titled “Sheets of Sound: Jazz\, Improvisation\, and Liner Notes\,” draws inspiration from jazz critic and historian Ira Gitler’s description of legendary jazz saxophonist John Coltrane’s 1958 recording Soultrane. Gitler famously coined the phrase\, “sheets of sound” to describe Coltrane’s playing. The event also takes its cues from Daphne Brooks’ recent work\, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound\, highlighting the overlooked contributions of Black women in the history of popular music. Dr. Brooks\, one of the colloquium’s keynote speakers\, will present a compelling new work on Friday from 2:30–3:45 PM\, titled “Liner Notes for the Hurricane: Crate Digging for Porgy and Bess.” The other keynote speaker\, Ashley Kahn\, a prolific American music historian\, will deliver a presentation on Thursday from 3:45–4:45 PM\, titled “Liner Noting in the Time of Streaming.”\n \nThis colloquium will take place in person at ImprovLab (Room 108 MacKinnon Building) on the University of Guelph Campus. The event is free and open to everybody. \n\nMore About This Event:\nSince 1996 the Guelph Jazz Festival Colloquium\, co-presented by the University of Guelph in partnership with the Guelph Jazz Festival\, has brought together diverse communities of interest by providing a scholarly forum for dialogue among researchers\, creative practitioners\, arts presenters\, and members of the general public. \nThe focus of this year’s colloquium is “Liner Notes” \nIn what ways have liner notes shaped the way the music is received? To what extent do liner notes contribute to the ways in which we negotiate and construct meaning about the music\, how we understand history\, how and why we listen? In what ways have digital dissemination and streaming services disrupted our notions of liner notes? And how has this shifted listener/audience understanding about their favourite artists? \nThe learn more about this year’s presenters and to see a full schedule\, please follow this link to the colloquium web portal.
URL:https://improvisationinstitute.ca/event/2024gjfc-sheets-of-sound-jazz-improvisation-and-liner-notes/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/08/2024_JazzFestivalColloquium_Promo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240820T193000
DTEND;TZID=America/Toronto:20240820T213000
DTSTAMP:20240815T134211Z
CREATED:20240814T143648Z
LAST-MODIFIED:20240815T134211Z
UID:14764-1724182200-1724189400@improvisationinstitute.ca
SUMMARY:Ultra-Sonic Moth Songs
DESCRIPTION:Please join us on Tuesday\, August 20 at 7:30 PM (ET) for “Ultra-Sonic Moth Songs” with Lucy Rupert\, Lisa Hirmer\, Christina Kingsbury\, and Ben Finley.\n \nThis performance will take place in person at the Moth Garder\, located at the Ignatius Jesuit Centre\, 5420 Highway 6 in Guelph. Attendees will meet at the Ignatius Farm Workshop parking lot at 7:30pm and walk out to the garden for the performance. The event is free\, although seating is very limited. Preregistration is required. Please book your ticket on the Moth Garden Eventbrite page.\n \nMore About This Performance\n\n\n\n\n\nJoin us at the Moth Garden. At dusk on August 20th\, experience improvised music and movement amoung the moths. Created by artists Lisa Hirmer and Christina Kingsbury\, the Moth Garden is dedicated to the often underappreciated\, yet vitally important nocturnal pollinators of our world. Did you know moths make music that human ears can’t hear? As the sun sets and the moths come out to play\, you are invited to experience dancer Lucy Rupert and bassist Ben Finley’s interpretation of ultra-sonic moth songs. \nWe will meet at the Ignatius Farm Workshop parking lot at 7:30pm and walk out to the garden for the performance. The garden is a 10-15 minute walk along a gravel roadway and then mowed grass paths which have some uneven surfaces and slight inclines. The walk is less than 1km. Please let us know if this is an access barrier as we can arrange to shuttle some folks to the garden if needed. There are several straw bales and blankets around the garden for informal seating. Please contact us if you have any other access needs that we can support with. \nBecause the garden and event are centred around meeting other beings in their own sensory worlds\, and to support human access considerations\, we ask that you avoid the use of insect repellents and other scented products. We will have bug suits available\, or let us know if you will bring your own. We also recommend long sleeves and pants to protect from the mosquitoes. \nThis workshop is part of the project Moth Garden by artists Lisa Hirmer and Christina Kingsbury. \nMore About the Performers\nLucy Rupert is a dancer\, choreographer\, art-science researcher\, and writer. She has performed with Fujiwara Dance Inventions\, Theatre Rusticle\, Nova Dance\, Anandam Dance\, Sashar Zarif Dance\, Puppetmongers Theatre\, Circus Orange\, and Chartier Danse\, among others. In 2004 Lucy founded Blue Ceiling dance\, an umbrella for her choreography and commissions\, performing throughout Ontario\, in New York\, Montreal and Stuttgart\, Germany. Her creations are inspired by cosmology\, biology and philosophy – anything from monsters to photons to the end of the universe. Lucy has a Joint Honours BA in Dance and Music (University of Waterloo)\, an MA in History (University of Toronto)\, and currently studies philosophy through Oxford University. She lives in Toronto with her husband and son\, and two feral cats\, in a magical neighbourhood full of coyotes and old trees. \nLisa Hirmer is an interdisciplinary artist who works in visual media\, especially photography; social practice; community collaboration\, and sometimes writing. Her work is focussed on collective relationships both in human communities and in human relationships with the more-than-human world. A lot of her recent work wrestles with what it means to be living inside the climate emergency and on the edge of planetary collapse. Her work finds home both in traditional gallery contexts and an expanded field of other public and semi-public spaces and is always created with a keen awareness that multiple realities exist alongside one another. \nShe has shown her work across Canada and internationally including at Art Gallery of Ontario\, Art Gallery of Guelph\, University of Lethbridge Art Gallery\, Cambridge Art Galleries\, Art Gallery of Mississauga\, Tom Thomson Gallery\, Art Windsor-Essex\, Doris McCarthy Gallery\, Peninsula Arts\, CAFKA\, Queens Museum\, and Flux Factory\, among others. She has done artist residencies with Arts House Melbourne\, the Santa Fe Art Institute\, the Robert Rauschenberg Foundation\, the Centre for Contemporary Art and the Natural World\, KIAC and Camargo Foundation\, and was the 2022 Waterfront Toronto Artist in Residence. She has received numerous grants including from the Ontario Arts Council and Canada Council for the Arts and has a Master of Architecture from the University of Waterloo. \nChristina Kingsbury’s (she/her) interdisciplinary art practice is inspired by histories of care and explores themes of place\, ecology and inter-species relationships. Her work takes the form of performance\, installation and social practice. Christina collaborates regularly with poets\, ecologists\, artists\, choreographers and the public-including ecological public – to create relational works that offer a quiet and radical challenge to the commodification of life. Her work is rooted (often literally) in the Grand River watershed and treaty lands of the Mississauga’s of the Credit and part of her practice works through relationships with land as a settler person. Her solo and collaborative work has been shown as public interventions and in curated exhibitions both locally and internationally. \nAt the age of 14\, Ben Finley plucked his first bass string. Everything changed! Immediately\, things fell still\, without worry\, in playful possibility. Miraculously\, that feeling remains. Ben Finley is a collaborative and solo performer-composer\, singer\, improviser\, and writer grounded in creative acoustic and electric bass playing. He leads and co-leads several ensembles that cross compositional boundaries\, drawing inspiration from chamber music\, song forms\, improvisational music making\, electronics and the sound worlds of local environments. He grew up on a music festival farm (Westben) where he witnessed many ways of making music\, entwined with land and creatures. Ben is the co-founder and creative director of the Westben Centre for Connection & Creativity’s Performer-Composer Residency\, which since 2018 has welcomed many diverse sound explorers to collaborate\, share creative music and exchange perspectives. He is also Westben’s Sustainability Coordinator\, working on various environmental care initiatives on the Westben grounds. He is a current Ph.D. candidate in the Critical Studies in Improvisation program at the University of Guelph\, studying music festivals and creative music practices as sites of eco-cultural regeneration. Please find more about Ben’s projects at benfinleymusic.com. \nBe sure to book your ticket on the Moth Garden Eventbrite page.
URL:https://improvisationinstitute.ca/event/ultra-sonic-moth-songs/
LOCATION:The Moth Garden (Ignatius Jesuit Centre)\, 5420 Highway 6\, Guelph\, Ontario\, n1h6j2\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/08/IICSI_MothGarden_Socials.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240816T160000
DTEND;TZID=America/Toronto:20240816T180000
DTSTAMP:20240729T160614Z
CREATED:20240729T160614Z
LAST-MODIFIED:20240729T160614Z
UID:14580-1723824000-1723831200@improvisationinstitute.ca
SUMMARY:François Houle and MILE Camp Participants LIVE at the Musée culturel de Coin-du-Banc / Corner of the Beach Cultural Museum
DESCRIPTION:Please join us on Friday\, August 16 at 4:00 PM (ET) for “François Houle and MILE Camp Participants LIVE at the Musée culturel de Coin-du-Banc / Corner of the Beach Cultural Museum.”\n \nThis performance will take place in person at the Musée culturel de Coin-du-Banc / Corner of the Beach Cultural Museum\, located at 294 route 132 est in Coin-du-Banc. Tickets cost $10 and will be available for purchase at the door (cash only). Please note that seating is limited. \nMORE ABOUT THIS EVENT:\nOn Monday\, August 12th\, at 8:00 PM (EDT)\, camp facilitator François Houle—improvising clarinetist extraordinaire—will perform a concert at the Musée culturel de Coin-du-Banc / Corner of the Beach Cultural Museum\, located at 294 route 132 est in Coin-du-Banc. The Vancouver-based musician is one of Canada’s most renowned and innovative improvisational musicians\, and his performance in this wonderful space is not to be missed. \nMORE ABOUT THE ARTIST:\nClarinetist François Houle has established himself as one of today’s most inventive musicians\, in all the diverse musical spheres he embraces. Inspired by collaborations with the world’s top musical innovators\, François has developed a unique improvisational language\, virtuosic and rich with sonic embellishment and technical extensions. He has worked with Dave Douglas\, Mark Dresser\, Joëlle Léandre\, Benoît Delbecq\, Evan Parker\, Samuel Blaser\, Gerry Hemingway\, Marilyn Crispell\, Myra Melford\, René Lussier\, Alexander Hawkins\, John Butcher\, Kris Davis\, Georg Graewe\, Håvard Wiik\, Guillermo Gregorio\, Eyvind Kang\, Hasse Poulsen\, and many of Canada and the International scene’s top creative music artists. \nHis extensive touring has led to solo appearances at major festivals across Canada\, the United \nStates\, Europe and Australia. A prolific recording artist\, he has released over twenty recordings as a leader\, earning multiple Juno Award and West Coast Music Award nominations. He is the founder of Afterday Audio\, a record label dedicated to the documentation and dissemination of his many musical projects and collaborations. In addition\, he has appeared on numerous recordings on the Songlines\, Red Toucan\, Leo Records\, Drip Audio\, PSI\, Between-the-Lines\, Nuscope\, Spool\, hat[now]ART\, Redshift\, and CRI labels\, among others. \nHe has been listed on numerous occasions in DownBeat magazine’s Readers and Critics’ Polls  as a “Talent Deserving Wider Recognition” and a “Rising Star”. \nFrançois studied at McGill University\, went on to win the National Debut competition\, and \ncompleted his studies at Yale University. He has been an artist-in-residence at the Banff Centre for the Arts and at the Civitella Ranieri Foundation in Umbria\, Italy\, and was a featured soloist in the International Clarinet Association’s 2007 and 2008 ClarinetFests. He is a faculty member at the Vancouver Community College School of Music\, and a former graduate clarinet studio instructor at the University of British Columbia. He served as Artistic Director of the Vancouver Creative Music Institute for five years. In 2008 he was appointed as “Associate Composer” of the Canadian Music Centre. \nFrançois Houle is a Backun artist and clinician. He plays Backun clarinets\, mouthpieces\, bells\, and barrels. He is also a Légère Artist\, performing on Signature European cut reeds. \nVisit François on-line at www.francoishoule.ca \nThese events at Musical Improvisation at Land’s End / Coin-du-Banc en folie are made possible thanks to the generous support of the Musagetes Foundation\, La société historique de Coin-du-Banc / Corner of the Beach Historical Society\, La MRC du Rocher-Percé\, La Ville de Percé\, the Vancouver Community College Faculty Association\, and the Social Sciences and Humanities Research Council of Canada (SSHRC).
URL:https://improvisationinstitute.ca/event/francois-houle-and-mile-camp-participants-live-at-the-musee-culturel-de-coin-du-banc-corner-of-the-beach-cultural-museum/
LOCATION:Corner of the Beach Cultural Museum\, 294 route 132 est\, Coin-du-Banc\, Quebec\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/07/MILEcamp2023_ConcertSocials_2024.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240812T200000
DTEND;TZID=America/Toronto:20240812T213000
DTSTAMP:20240809T133118Z
CREATED:20240729T160143Z
LAST-MODIFIED:20240809T133118Z
UID:14575-1723492800-1723498200@improvisationinstitute.ca
SUMMARY:"Aerials" with François Houle LIVE at the Musée culturel de Coin-du-Banc / Corner of the Beach Cultural Museum
DESCRIPTION:Please join us on Monday\, August 12 at 8:00 PM (ET) for “Aerials with François Houle at the Musée culturel de Coin-du-Banc / Corner of the Beach Cultural Museum.”\n \nThis performance will take place in person at the Musée culturel de Coin-du-Banc / Corner of the Beach Cultural Museum\, located at 294 route 132 est in Coin-du-Banc. Tickets cost $10 and will be available for purchase at the door (cash only). Please note that seating is limited. \nMORE ABOUT THIS EVENT:\nAerials is a set of improvisations exploring the clarinet’s uncharted territories. Developed during a five-week residency in Italy at the 15th century Castello Civitella Ranieri\, the music is complex and seductive\, taking the listener inside the instrument. Technically\, this project taps deeply into the clarinetist’s inclination for the unexpected\, from disembodied clarinets played simultaneously to flute-like melodies. Examining the way the instrument “reacts” to various acoustical spaces\, this program is virtuosity coupled with stunning lyricism. \nMORE ABOUT THE ARTIST:\nClarinetist François Houle has established himself as one of today’s most inventive musicians\, in all the diverse musical spheres he embraces. Inspired by collaborations with the world’s top musical innovators\, François has developed a unique improvisational language\, virtuosic and rich with sonic embellishment and technical extensions. He has worked with Dave Douglas\, Mark Dresser\, Joëlle Léandre\, Benoît Delbecq\, Evan Parker\, Samuel Blaser\, Gerry Hemingway\, Marilyn Crispell\, Myra Melford\, René Lussier\, Alexander Hawkins\, John Butcher\, Kris Davis\, Georg Graewe\, Håvard Wiik\, Guillermo Gregorio\, Eyvind Kang\, Hasse Poulsen\, and many of Canada and the International scene’s top creative music artists. \nHis extensive touring has led to solo appearances at major festivals across Canada\, the United \nStates\, Europe and Australia. A prolific recording artist\, he has released over twenty recordings as a leader\, earning multiple Juno Award and West Coast Music Award nominations. He is the founder of Afterday Audio\, a record label dedicated to the documentation and dissemination of his many musical projects and collaborations. In addition\, he has appeared on numerous recordings on the Songlines\, Red Toucan\, Leo Records\, Drip Audio\, PSI\, Between-the-Lines\, Nuscope\, Spool\, hat[now]ART\, Redshift\, and CRI labels\, among others. \nHe has been listed on numerous occasions in DownBeat magazine’s Readers and Critics’ Polls  as a “Talent Deserving Wider Recognition” and a “Rising Star”. \nFrançois studied at McGill University\, went on to win the National Debut competition\, and \ncompleted his studies at Yale University. He has been an artist-in-residence at the Banff Centre for the Arts and at the Civitella Ranieri Foundation in Umbria\, Italy\, and was a featured soloist in the International Clarinet Association’s 2007 and 2008 ClarinetFests. He is a faculty member at the Vancouver Community College School of Music\, and a former graduate clarinet studio instructor at the University of British Columbia. He served as Artistic Director of the Vancouver Creative Music Institute for five years. In 2008 he was appointed as “Associate Composer” of the Canadian Music Centre. \nFrançois Houle is a Backun artist and clinician. He plays Backun clarinets\, mouthpieces\, bells\, and barrels. He is also a Légère Artist\, performing on Signature European cut reeds. \nVisit François on-line at www.francoishoule.ca \nThese events at Musical Improvisation at Land’s End / Coin-du-Banc en folie are made possible thanks to the generous support of the Musagetes Foundation\, La société historique de Coin-du-Banc / Corner of the Beach Historical Society\, La MRC du Rocher-Percé\, La Ville de Percé\, the Vancouver Community College Faculty Association\, and the Social Sciences and Humanities Research Council of Canada (SSHRC).
URL:https://improvisationinstitute.ca/event/francois-houle-at-the-musee-culturel-de-coin-du-banc-corner-of-the-beach-cultural-museum/
LOCATION:Corner of the Beach Cultural Museum\, 294 route 132 est\, Coin-du-Banc\, Quebec\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/07/MILEcamp2023_ConcertSocials_2024.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240720T220000
DTEND;TZID=America/Toronto:20240720T230000
DTSTAMP:20240716T141837Z
CREATED:20240716T141837Z
LAST-MODIFIED:20240716T141837Z
UID:14549-1721512800-1721516400@improvisationinstitute.ca
SUMMARY:IICSI Co-Presents: The Messthetics and James Brandon Lewis - Hillside Festival 2024
DESCRIPTION:Please join us on Saturday\, July 20 at 10:00 PM (ET) for “The Messthetics and James Brandon Lewis” at Hillside Festival 2024! \nThis performance will take place in person on Guelph Lake Island. Tickets are available on the Festival Website. \nMore About This Event:\nThe Hillside Community Festival is a not-for-profit music festival that celebrates creativity through artistic expression\, community engagement\, and environmental leadership. This year\, Hillside Festival runs from July 19–21. \nMore About the Artists:\nOne of the most iconic rhythm sections in modern music\, drummer Brendan Canty and bassist Joe Lally were the insistent engine of DC post-hardcore legends Fugazi for over 15 years. In 2016\, they formed Messthetics with guitar virtuoso Anthony Pirog\, and released two albums of turbulent\, propulsive\, groove-laden instrumental art rock. Drawing on jazz\, punk\, dub\, and free improv\, they’re equally at home in an expansive take on Sonny Sharrock’s “Once Upon a Time” as they are in blazing\, math-metal riff barrages. \nIn late-2021\, they were joined onstage by acclaimed saxophonist James Brandon Lewis\, and sparks flew. Lally recalls a full-throttle passage when Lewis and Pirog began trading solos. As the intensity escalated\, the bassist felt simultaneously challenged and exhilarated. “You’re just holding on and going\, it sounds great\,” he remembers telling himself. “Just keep going!” Thankfully for fans of next-level\, genre-defying music\, they have. Called “one of the modern titans of the tenor” by All About Jazz\, the ecstatic fervour of James Brandon Lewis’ playing points back to John Coltrane\, Pharoah Sanders\, and the rich tradition of the Impulse! label–a tradition that the combustive quartet is now a part of with their eponymous 2024 release. For his part\, Lewis relishes the chance to plug into the power of the Messthetics’ punk-adjacent milieu\, calling their provocative real-time musical conversation a “high point of musical bonding and purely unapologetic energy! When you hear the Messthetics by themselves\, that shit is cranking. And I’m always signing up to crank.”
URL:https://improvisationinstitute.ca/event/iicsi-hillside-2024-the-messthetics-and-james-brandon-lewis/
LOCATION:Guelph Lake Conservation Area\, 7743 Conservation Road\, Guelph\, Ontario\, N1H 6J1\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/07/The-Messthetics-and-James-Brandon-Lewis_Hillside24-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240720
DTEND;VALUE=DATE:20240721
DTSTAMP:20240612T203735Z
CREATED:20240611T230712Z
LAST-MODIFIED:20240612T203735Z
UID:14483-1721433600-1721519999@improvisationinstitute.ca
SUMMARY:Improvising Care  - McGill/Montreal\, October 5–9\, 2024
DESCRIPTION:Improvising Care\nMcGill/Montreal\nOct 5-9\, 2024\n“In a democratic society art should be the location where everyone can witness the joy\, pleasure\, and power that emerges when there is freedom of expression….” bell hooks\, “Workers for Artistic freedom” \n“Healing can occur . . . when one’s inner experience is made manifest and accepted by others.” Pauline Oliveros\, Sonic Meditations \nRecent history\, from COVID through climate change\, massive displacements of people\, a worrying increase in various forms of totalitarianism\, unjust wars (are there any other kinds?) the rapid rise of neo-liberalism (one can easily multiply this list) has both placed a greater focus on\, and need for\, care\, and at the same time radically reduced the structures from which care often operates. As traditional institutions of care are denuded of resources\, and governments implement policies that make care simultaneously more difficult to enact\, yet that much more needed\, it is fair to say we are facing a crisis of care. How can art and artists implement care in their practices? How should society care for artists\, and artists for each other\, and how can art itself be a tool for care and how should artists interact with communities in caring ways? Given improvisation’s ability to creatively and imaginatively find ways to modify existing structures\, subvert norms and implement new forms of sociality\, do we perhaps now more than ever need to improvise new models of care? \nSome topics might include: \n– How can artists work ethically in community\, showing care for them? \n– What would a society that cares for its artists look like\, what policies and structures would be called for? \n– How can art itself both model care and implement care—how can art be used to care for ourselves and others? \n– How does putting care front and centre in artistic practice problematize a host of traditional assumptions about what art is and what it isn’t? \n– How can new technologies both be used to create new possibilities for care\, and themselves be the subjects of care? \nWe invite contributions addressing the topic of care and the arts\, with an emphasis on the improvisatory. Contributions can be varied\, traditional papers\, panels\, discussions\, performances\, mixed-media\, videos\, interventions—we place no limitations per se on what you might want to contribute\, except that the linkage with the theme should be clear\, and technically the contribution should not require excessive equipment\, set up\, staff\, etc. \nSome of this event will be dedicated to research and performance emerging out of the COST-Funded Toolkit of Care project (https://toolkitof.care). This pan-European project focuses on ways in which artists can model care\, enact principles of care in their artistic practices\, and create networks of mutual care. \nWe will be partnering with Art in the Margins’ Festival Flux Festival\, which will run concurrently\, affording us fun evening performances! \nTHIS CALL IS NOT DIRECTED ONLY TO ACADEMICS! We seek out contributions from community members/organizations\, independent artists and researchers\, or anyone with an interest in this topic. \nPlease send your proposal to: eric.lewis@mcgill.ca by July 20. Please put in the subject heading “improvising care”. Be clear about what you are proposing. If it involves other participants\, please name them with contact info. If you have particular tech needs/space needs be clear about them. Also let us know the length of time you ideally would need—flexibility here is helpful (e.g.\, 25-40 mins\, is better than just 40 mins!). Please limit proposals to one page. \nWhile we will endeavor to have all our spaces wheelchair accessible\, please let us know in your proposal if you have any particular needs with respect to access or adaptability (or anything else that will allow us to make the event as welcoming to you as possible!). \nThis event is a partnership between IICSI\, LUC\, Toolkitofcare\, and Arts in the Margins
URL:https://improvisationinstitute.ca/event/improvising-care-mcgill-montreal-october-5-9-2024/
LOCATION:Ontario
CATEGORIES:CFPs
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/06/improvising-care-sample-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240626T203000
DTEND;TZID=America/Toronto:20240629T223000
DTSTAMP:20240624T154758Z
CREATED:20240624T154650Z
LAST-MODIFIED:20240624T154758Z
UID:14494-1719433800-1719700200@improvisationinstitute.ca
SUMMARY:IF 2024: Silence-Producing Machine
DESCRIPTION:Our fifth annual Improvisation Festival runs from June 26–29\, 2024. \n\n\nIF 2024 will feature robust\, in-person programming inside the Fonoteca Nacional de México\, in Mexico City—our first international iteration—and folks around the globe can tune in online for a stream of live events. \nWatch Here! \nCentred on the theme Silence-Producing Machine\, IF 2024 will showcase legendary and emerging improvisational performers from “the territories of the ñ.” \nFor a full schedule and more information\, please head to the IF 2024 website! \nIF 2024 is a partnered project between the International Institute for Critical Studies in Improvisation (IICSI) in Guelph\, Ontario\, Canada\, and 17\, Institute of Critical Studies in Mexico City\, Mexico. \nMore About the Festival\nIF is an around-the-clock celebration of improvised arts. \nFounded by Dr. Ajay Heble (Founder and former Artistic Director\, Guelph Jazz Festival) and presented by the International Institute for Critical Studies in Improvisation\, IF (Improvisation Festival) is a 24-hour celebration of creative art-making showcasing new\, improvised works. Created in response to the early months of the COVID-19 pandemic\, this annual Festival is dedicated to showcasing an incredible array of new\, original performances by improvising artists of all disciplines\, for audiences residing around our home in Guelph\, Ontario\, as well as digital attendees from all around the world. \nSince the Festival’s inception in 2020\, IF has featured 400+ artists of all artistic disciplines hailing from over 25 countries. Through digital video livestreams and simultaneous international radio broadcasts\, IF has reached thousands of attendees from 55+ countries. \n\n\n 
URL:https://improvisationinstitute.ca/event/if-2024-silence-producing-machine/
LOCATION:Fonoteca Nacional de México\, Francisco Sosa 383\, Barrio de Santa Catarina 04010\, Coyoacán\, Ciudad de México\, Mexico City\, Mexico
CATEGORIES:IF 2024
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/06/XXXVII-International-Colloquium.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240527T100000
DTEND;TZID=America/Toronto:20240527T180000
DTSTAMP:20240528T171921Z
CREATED:20240528T171408Z
LAST-MODIFIED:20240528T171921Z
UID:14464-1716804000-1716832800@improvisationinstitute.ca
SUMMARY:"Has it started...?" by Rebecca Barnstaple - Artist Residency at ImprovLab
DESCRIPTION:Please join us\, starting Monday\, May 27\, at 10:00 AM(ET) for “Has it Started…?” with IICSI Postdoctoral Fellow Rebecca Barnstaple. There will be a schedule of events each day until May 30th.  “Has it started…?” is a 4 day open-door artist residency and practice-based inquiry at the ImprovLab\, University of Guelph.  \nOn May 31\, at 11:00 AM (ET)\, Dr. Barnstaple has scheduled an Open Class\, preceded by a lecture/webinar on adapted dance (Danse adaptee pour le bien-etre). Register here for the Open Class! \nThis presentation will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The event is free and open to all. \n\nMore About the Residency\n\n\nAdapted dance is a deeply improvisational practice\, created in relation with people of diverse mobilities and ages. Community members and visitors are invited to join Rebecca Barnstaple for a drop-in class at 11am on May 31st as a Friday kick-off for the Guelph Dance Festival. Rebecca has worked extensively with partners in dance/movement therapy\, IMPROVment\, dance for Parkinsons\, and dance for health internationally. Inspired by this broad scope of practice\, we will explore the possibilities present for the bodies in attendance.  All are welcome!  \nThe Open Class will be preceded by a LIVE broadcast of Danse adaptee pour le bien-etre\, a webinar exploring programs and research associated with adapted dance offered in partnership with the National Centre for Dance Therapy and Chigamik Community Health Centre. \n\nMore About the Presenter\nRebecca Barnstaple (PhD Dance Studies; Graduate Program in Neuroscience 2020\, York University) is the Manager of Community Initiatives\, Research and Innovation at Centre Communautaire Chigamik Community Health Centre\, Midland\, Ontario\, and an IICSI Postdoctoral Fellow\, University of Guelph. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens (2015)\, she provides education and training in dance therapy and associated research globally. She has been involved in the development and delivery of improvisational arts and health initiatives in the United States (IMPROVment\, Wake Forest University) and Canada (SingWell\, Toronto Metropolitan University; Piece of Mind\, McGill; Dance for Health\, Nova Scotia) and serves in a leadership capacity for professional organizations including the Dance Movement Therapy Association of Canada (Accreditation and Certification Committee)\, the American Dance Therapy Association (Research and Practice Committee)\, and the International Association of Dance Medicine Science (International Benchmarking Standards Task Force\, Dance for Health Committee). Rebecca directs the Research to Practice Lab for ZOE School of Dance Movement Therapy in Basel\, Switzerland. 
URL:https://improvisationinstitute.ca/event/has-it-started-by-rebecca-barnstaple-artist-residency-at-improvlab/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/05/Has-it-startd-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240531
DTEND;VALUE=DATE:20240601
DTSTAMP:20240409T180117Z
CREATED:20240408T144153Z
LAST-MODIFIED:20240409T180117Z
UID:14429-1717113600-1717199999@improvisationinstitute.ca
SUMMARY:CFP - The 2024 Guelph Jazz Festival Colloquium\, "Sheets of Sound: Jazz\, Improvisation\, and Liner Notes"
DESCRIPTION:The International Institute for Critical Studies in Improvisation (IICSI)\, in partnership with the Guelph Jazz Festival and the University of Guelph\, invites proposals for presentations at our annual interdisciplinary international conference. The colloquium will take place September 11-13\, 2024\, as part of the 31st annual Guelph Jazz Festival. Featuring panel discussions\, debates\, performances\, workshops\, keynote presentations\, and critical conversations among researchers\, artists\, and audiences\, the colloquium fosters a spirit of collaborative\, boundary-defying inquiry and dialogue\, and an international exchange of cultural forms and knowledges. \nIn his liner notes for John Coltrane’s 1958 recording Soultrane\, jazz critic Ira Gitler famously coined the phrase “sheets of sound” to describe Coltrane’s unique style of improvisational playing. It’s an apt phrase not only for attempting to capture in writing the spirit and energy of Coltrane’s distinctive style\, but also for acting as a metaphoric descriptor for the very genre of liner notes. As an important part of the history of jazz and creative improvised music\, liner notes might themselves be considered as something akin to “sheets of sound” that have played a vital role in shaping our understanding of the music. \n“Part publication relations blitz\, part advertisement\, part advance directive for hipsters\, part forum for writers hoping to match chops with the musicians they adored\, liner notes accomplished several tasks at once” writes Timothy Gray in his essay on “Jazz Criticism and Liner Notes” in the recently published volume Jazz and American Culture. This year’s edition of The Guelph Jazz Festival Colloquium invites presentations\, prompts\, and creative responses that reflect on some of these tasks\, and that take up the question of what it means to use the liner note genre to write about jazz and creative improvised music. \nIn what ways have liner notes shaped the way the music is received? To what extent do liner notes contribute to the ways in which we negotiate and construct meaning about the music\, how we understand history\, how and why we listen? In what ways have digital dissemination and streaming services disrupted our notions of liner notes? And how has this shifted listener/audience understanding about their favourite artists? \nCiting the “far-out notes produced by Sun Ra\, John Coltrane\,” and others\, Daphne Brooks in her book Liner Notes for the Revolution explains that “liner notes hold out the possibility of operating as critical\, fictional\, or experimental works of writing in and of themselves. Conventional liner notes\,” she suggests\, “often walk a fine line between pedagogy and socialization\, between sociohistorical and cultural reportage and heuristic conditioning (here’s how and why to love the artist in question). The most ambitious notes strive toward the narrative realization\, or the narrative reimagining\, of a sonic collection of songs altogether.” What\, then\, does it mean to engage in a narrative realization or reimagining of music? What are some of the critical\, fictional\, conceptual\, or experimental forms and practices being advanced by writers of liner notes? What is it like to hear about the music from the artist’s perspective\, and how might this shape the listener’s sonic experience? What is the future of liner notes in an age dominated by the digital delivery and dissemination of music? Does writing liner notes constitute a lost art or is the practice enjoying a resurgence? In what ways do archived/archival forms of liner notes play into thinking and writing about jazz and creative improvised music today? And what roles do artwork\, design and layout play in the presentation and impact of liner notes and the reception of an album? \nWe invite presentations that address these (and other related) questions and concerns\, as well as creative work that takes up the conference prompts. We are particularly interested in interdisciplinary presentations that speak to both an academic audience and a general public. We also invite presenters to submit completed versions of their papers and presentations to our peer‐reviewed journal\, Critical Studies in Improvisation/Études critiques en improvisation (www.criticalimprov.com) for consideration. \nPlease send (500 word) proposals (for 15-minute delivery—alternate formats may also be considered) and a short bio by May 31\, 2024\, to Dr. Ajay Heble at jazzcoll@uoguelph.ca
URL:https://improvisationinstitute.ca/event/cfp-2024-gjfc-sheets-of-sound-jazz-improvisation-and-liner-notes/
LOCATION:Ontario
CATEGORIES:CFPs
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/04/GJFC-CFP-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240527T100000
DTEND;TZID=America/Toronto:20240527T180000
DTSTAMP:20240528T171921Z
CREATED:20240528T171408Z
LAST-MODIFIED:20240528T171921Z
UID:14464-1716804000-1716832800@improvisationinstitute.ca
SUMMARY:"Has it started...?" by Rebecca Barnstaple - Artist Residency at ImprovLab
DESCRIPTION:Please join us\, starting Monday\, May 27\, at 10:00 AM(ET) for “Has it Started…?” with IICSI Postdoctoral Fellow Rebecca Barnstaple. There will be a schedule of events each day until May 30th.  “Has it started…?” is a 4 day open-door artist residency and practice-based inquiry at the ImprovLab\, University of Guelph.  \nOn May 31\, at 11:00 AM (ET)\, Dr. Barnstaple has scheduled an Open Class\, preceded by a lecture/webinar on adapted dance (Danse adaptee pour le bien-etre). Register here for the Open Class! \nThis presentation will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The event is free and open to all. \n\nMore About the Residency\n\n\nAdapted dance is a deeply improvisational practice\, created in relation with people of diverse mobilities and ages. Community members and visitors are invited to join Rebecca Barnstaple for a drop-in class at 11am on May 31st as a Friday kick-off for the Guelph Dance Festival. Rebecca has worked extensively with partners in dance/movement therapy\, IMPROVment\, dance for Parkinsons\, and dance for health internationally. Inspired by this broad scope of practice\, we will explore the possibilities present for the bodies in attendance.  All are welcome!  \nThe Open Class will be preceded by a LIVE broadcast of Danse adaptee pour le bien-etre\, a webinar exploring programs and research associated with adapted dance offered in partnership with the National Centre for Dance Therapy and Chigamik Community Health Centre. \n\nMore About the Presenter\nRebecca Barnstaple (PhD Dance Studies; Graduate Program in Neuroscience 2020\, York University) is the Manager of Community Initiatives\, Research and Innovation at Centre Communautaire Chigamik Community Health Centre\, Midland\, Ontario\, and an IICSI Postdoctoral Fellow\, University of Guelph. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens (2015)\, she provides education and training in dance therapy and associated research globally. She has been involved in the development and delivery of improvisational arts and health initiatives in the United States (IMPROVment\, Wake Forest University) and Canada (SingWell\, Toronto Metropolitan University; Piece of Mind\, McGill; Dance for Health\, Nova Scotia) and serves in a leadership capacity for professional organizations including the Dance Movement Therapy Association of Canada (Accreditation and Certification Committee)\, the American Dance Therapy Association (Research and Practice Committee)\, and the International Association of Dance Medicine Science (International Benchmarking Standards Task Force\, Dance for Health Committee). Rebecca directs the Research to Practice Lab for ZOE School of Dance Movement Therapy in Basel\, Switzerland. 
URL:https://improvisationinstitute.ca/event/has-it-started-by-rebecca-barnstaple-artist-residency-at-improvlab/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/05/Has-it-startd-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240527T100000
DTEND;TZID=America/Toronto:20240527T180000
DTSTAMP:20240528T171921Z
CREATED:20240528T171408Z
LAST-MODIFIED:20240528T171921Z
UID:14464-1716804000-1716832800@improvisationinstitute.ca
SUMMARY:"Has it started...?" by Rebecca Barnstaple - Artist Residency at ImprovLab
DESCRIPTION:Please join us\, starting Monday\, May 27\, at 10:00 AM(ET) for “Has it Started…?” with IICSI Postdoctoral Fellow Rebecca Barnstaple. There will be a schedule of events each day until May 30th.  “Has it started…?” is a 4 day open-door artist residency and practice-based inquiry at the ImprovLab\, University of Guelph.  \nOn May 31\, at 11:00 AM (ET)\, Dr. Barnstaple has scheduled an Open Class\, preceded by a lecture/webinar on adapted dance (Danse adaptee pour le bien-etre). Register here for the Open Class! \nThis presentation will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The event is free and open to all. \n\nMore About the Residency\n\n\nAdapted dance is a deeply improvisational practice\, created in relation with people of diverse mobilities and ages. Community members and visitors are invited to join Rebecca Barnstaple for a drop-in class at 11am on May 31st as a Friday kick-off for the Guelph Dance Festival. Rebecca has worked extensively with partners in dance/movement therapy\, IMPROVment\, dance for Parkinsons\, and dance for health internationally. Inspired by this broad scope of practice\, we will explore the possibilities present for the bodies in attendance.  All are welcome!  \nThe Open Class will be preceded by a LIVE broadcast of Danse adaptee pour le bien-etre\, a webinar exploring programs and research associated with adapted dance offered in partnership with the National Centre for Dance Therapy and Chigamik Community Health Centre. \n\nMore About the Presenter\nRebecca Barnstaple (PhD Dance Studies; Graduate Program in Neuroscience 2020\, York University) is the Manager of Community Initiatives\, Research and Innovation at Centre Communautaire Chigamik Community Health Centre\, Midland\, Ontario\, and an IICSI Postdoctoral Fellow\, University of Guelph. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens (2015)\, she provides education and training in dance therapy and associated research globally. She has been involved in the development and delivery of improvisational arts and health initiatives in the United States (IMPROVment\, Wake Forest University) and Canada (SingWell\, Toronto Metropolitan University; Piece of Mind\, McGill; Dance for Health\, Nova Scotia) and serves in a leadership capacity for professional organizations including the Dance Movement Therapy Association of Canada (Accreditation and Certification Committee)\, the American Dance Therapy Association (Research and Practice Committee)\, and the International Association of Dance Medicine Science (International Benchmarking Standards Task Force\, Dance for Health Committee). Rebecca directs the Research to Practice Lab for ZOE School of Dance Movement Therapy in Basel\, Switzerland. 
URL:https://improvisationinstitute.ca/event/has-it-started-by-rebecca-barnstaple-artist-residency-at-improvlab/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/05/Has-it-startd-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240527T100000
DTEND;TZID=America/Toronto:20240527T180000
DTSTAMP:20240528T171921Z
CREATED:20240528T171408Z
LAST-MODIFIED:20240528T171921Z
UID:14464-1716804000-1716832800@improvisationinstitute.ca
SUMMARY:"Has it started...?" by Rebecca Barnstaple - Artist Residency at ImprovLab
DESCRIPTION:Please join us\, starting Monday\, May 27\, at 10:00 AM(ET) for “Has it Started…?” with IICSI Postdoctoral Fellow Rebecca Barnstaple. There will be a schedule of events each day until May 30th.  “Has it started…?” is a 4 day open-door artist residency and practice-based inquiry at the ImprovLab\, University of Guelph.  \nOn May 31\, at 11:00 AM (ET)\, Dr. Barnstaple has scheduled an Open Class\, preceded by a lecture/webinar on adapted dance (Danse adaptee pour le bien-etre). Register here for the Open Class! \nThis presentation will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The event is free and open to all. \n\nMore About the Residency\n\n\nAdapted dance is a deeply improvisational practice\, created in relation with people of diverse mobilities and ages. Community members and visitors are invited to join Rebecca Barnstaple for a drop-in class at 11am on May 31st as a Friday kick-off for the Guelph Dance Festival. Rebecca has worked extensively with partners in dance/movement therapy\, IMPROVment\, dance for Parkinsons\, and dance for health internationally. Inspired by this broad scope of practice\, we will explore the possibilities present for the bodies in attendance.  All are welcome!  \nThe Open Class will be preceded by a LIVE broadcast of Danse adaptee pour le bien-etre\, a webinar exploring programs and research associated with adapted dance offered in partnership with the National Centre for Dance Therapy and Chigamik Community Health Centre. \n\nMore About the Presenter\nRebecca Barnstaple (PhD Dance Studies; Graduate Program in Neuroscience 2020\, York University) is the Manager of Community Initiatives\, Research and Innovation at Centre Communautaire Chigamik Community Health Centre\, Midland\, Ontario\, and an IICSI Postdoctoral Fellow\, University of Guelph. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens (2015)\, she provides education and training in dance therapy and associated research globally. She has been involved in the development and delivery of improvisational arts and health initiatives in the United States (IMPROVment\, Wake Forest University) and Canada (SingWell\, Toronto Metropolitan University; Piece of Mind\, McGill; Dance for Health\, Nova Scotia) and serves in a leadership capacity for professional organizations including the Dance Movement Therapy Association of Canada (Accreditation and Certification Committee)\, the American Dance Therapy Association (Research and Practice Committee)\, and the International Association of Dance Medicine Science (International Benchmarking Standards Task Force\, Dance for Health Committee). Rebecca directs the Research to Practice Lab for ZOE School of Dance Movement Therapy in Basel\, Switzerland. 
URL:https://improvisationinstitute.ca/event/has-it-started-by-rebecca-barnstaple-artist-residency-at-improvlab/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/05/Has-it-startd-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240527T100000
DTEND;TZID=America/Toronto:20240527T180000
DTSTAMP:20240528T171921Z
CREATED:20240528T171408Z
LAST-MODIFIED:20240528T171921Z
UID:14464-1716804000-1716832800@improvisationinstitute.ca
SUMMARY:"Has it started...?" by Rebecca Barnstaple - Artist Residency at ImprovLab
DESCRIPTION:Please join us\, starting Monday\, May 27\, at 10:00 AM(ET) for “Has it Started…?” with IICSI Postdoctoral Fellow Rebecca Barnstaple. There will be a schedule of events each day until May 30th.  “Has it started…?” is a 4 day open-door artist residency and practice-based inquiry at the ImprovLab\, University of Guelph.  \nOn May 31\, at 11:00 AM (ET)\, Dr. Barnstaple has scheduled an Open Class\, preceded by a lecture/webinar on adapted dance (Danse adaptee pour le bien-etre). Register here for the Open Class! \nThis presentation will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The event is free and open to all. \n\nMore About the Residency\n\n\nAdapted dance is a deeply improvisational practice\, created in relation with people of diverse mobilities and ages. Community members and visitors are invited to join Rebecca Barnstaple for a drop-in class at 11am on May 31st as a Friday kick-off for the Guelph Dance Festival. Rebecca has worked extensively with partners in dance/movement therapy\, IMPROVment\, dance for Parkinsons\, and dance for health internationally. Inspired by this broad scope of practice\, we will explore the possibilities present for the bodies in attendance.  All are welcome!  \nThe Open Class will be preceded by a LIVE broadcast of Danse adaptee pour le bien-etre\, a webinar exploring programs and research associated with adapted dance offered in partnership with the National Centre for Dance Therapy and Chigamik Community Health Centre. \n\nMore About the Presenter\nRebecca Barnstaple (PhD Dance Studies; Graduate Program in Neuroscience 2020\, York University) is the Manager of Community Initiatives\, Research and Innovation at Centre Communautaire Chigamik Community Health Centre\, Midland\, Ontario\, and an IICSI Postdoctoral Fellow\, University of Guelph. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens (2015)\, she provides education and training in dance therapy and associated research globally. She has been involved in the development and delivery of improvisational arts and health initiatives in the United States (IMPROVment\, Wake Forest University) and Canada (SingWell\, Toronto Metropolitan University; Piece of Mind\, McGill; Dance for Health\, Nova Scotia) and serves in a leadership capacity for professional organizations including the Dance Movement Therapy Association of Canada (Accreditation and Certification Committee)\, the American Dance Therapy Association (Research and Practice Committee)\, and the International Association of Dance Medicine Science (International Benchmarking Standards Task Force\, Dance for Health Committee). Rebecca directs the Research to Practice Lab for ZOE School of Dance Movement Therapy in Basel\, Switzerland. 
URL:https://improvisationinstitute.ca/event/has-it-started-by-rebecca-barnstaple-artist-residency-at-improvlab/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/05/Has-it-startd-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240505T200000
DTEND;TZID=America/Toronto:20240505T210000
DTSTAMP:20240502T144208Z
CREATED:20240502T144208Z
LAST-MODIFIED:20240502T144208Z
UID:14456-1714939200-1714942800@improvisationinstitute.ca
SUMMARY:Live Music: Anne Bourne/Joe Sorbara/Ajay Heble Trio - ArtsEverywhere Festival
DESCRIPTION:Please join us on Sunday\, May 5th\, from 8–9 pm (ET) for a live music performance by the Anne Bourne/Joe Sorbara/Ajay Heble Trio. The performance will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The event acts the finale of the ArtsEverywhere Festival. \nRefreshments will be served before the performance. \nMore About the Event\nFor this special closing night concert at the ArtsEverywhere Festival\, these three friends will come together to perform for the first time in a trio setting. Their music will be freely improvised and animated by deep and attentive listening\, joyful creative interaction\, meditative soundscapes\, and possible nods to various influences and traditions ranging from Pauline Oliveros to Indian ragas to free jazz and beyond. \nImprovLab is a physically accessible venue. For details on the festival’s accessibility\, please visit our general accessibility page.
URL:https://improvisationinstitute.ca/event/live-music-anne-bourne-joe-sorbara-ajay-heble-trio-artseverywhere-festival/
LOCATION:Ontario
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/05/Arts-Everywhere-Trio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240505T160000
DTEND;TZID=America/Toronto:20240505T190000
DTSTAMP:20240502T143606Z
CREATED:20240502T143457Z
LAST-MODIFIED:20240502T143606Z
UID:14451-1714924800-1714935600@improvisationinstitute.ca
SUMMARY:Deep Listening: The Story of Pauline Oliveros - Film Screening - ArtsEverywhere Festival
DESCRIPTION:Please join us on Sunday\, May 5th\, from 4–7 pm (ET) for a screening of  “Deep Listening: The Story of Pauline Oliveros.” The screening will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The event is part of the ArtsEverywhere Festival. \nA post-screening conversation with director Daniel Weintraub (remote)\, executive producer IONE (remote) and collaborator Anne Bourne will be moderated by Ajay Heble. \nMore Information about the Event\nDaniel Weintraub’s new feature-length film\, “Deep Listening: The Story of Pauline Oliveros“\, is a documentary that traces the life and work of visionary composer\, musician\, teacher\, technological innovator\, and humanitarian Pauline Oliveros (1932–2016). \nPauline was one of the world’s original electronic musicians\, the only woman amongst notable post-war American composers\, a master accordion player\, a teacher and mentor to musicians\, a gateway to music and sound for non-musicians\, and a technical innovator who helped develop everything from tools that allow musicians to play together while in different countries\, to software that enables those with severe disabilities to create beautiful music. \nProduced in collaboration with executive producer IONE\, Oliveros’ partner in life and work\, and the Ministry of Maåt\, Inc.\, the film combines rare archival footage\, live performances\, and unreleased music with appearances by Terry Riley\, Anna Halprin\, Ione\, Linda Montano\, Laurie Anderson\, Thurston Moore\, Alvin Lucier\, Claire Chase\, Miya Masaoka\, Morton Subotnick\, Tony Martin\, Ramon Sender\, and many more ground-breaking artists. \nPlease find a preview on the festival event webpage. \nImprovLab is a physically accessible venue. The Q&A portion of this event will feature live transcription and ASL interpretation. For details on the festival’s accessibility\, please visit our general accessibility page.
URL:https://improvisationinstitute.ca/event/deep-listening-the-story-of-pauline-oliveros-film-screening-artseverywhere-festival/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/05/Oliveros-PostDet-web-1024x656-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240502T130000
DTEND;TZID=America/Toronto:20240502T150000
DTSTAMP:20240430T184155Z
CREATED:20240212T140523Z
LAST-MODIFIED:20240430T184155Z
UID:13998-1714654800-1714662000@improvisationinstitute.ca
SUMMARY:(Cancelled) ImprovLab Open House Sessions\, May 2
DESCRIPTION:Please join us for a schedule of Thursday afternoon (1–3 pm ET) ImprovLab Open House Sessions! The sessions will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. Bring any instrument and be ready to improvise! \n\nThe full schedule is as follows: \nFebruary 8th (Electronic Music Session); immediately following Thinking Spaces: Colin Harrington \nFebruary 29th \nMarch 7th \nMarch 21st \nApril 4th \nApril 18th \nMay 2nd \nHope to see you there!
URL:https://improvisationinstitute.ca/event/improvlab-open-house-sessions-may-2/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,ImprovLab Open House Sessions
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/02/IICSI_OpenHouse_W242.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240314T150000
DTEND;TZID=America/Toronto:20240314T163000
DTSTAMP:20240401T132513Z
CREATED:20240307T142300Z
LAST-MODIFIED:20240401T132513Z
UID:14338-1710428400-1710433800@improvisationinstitute.ca
SUMMARY:Labour and Us: A Workshop and Performance Series
DESCRIPTION:Please join us for Labour and Us: A Workshops and Performance Series by IMPR Students “Cohort Four / Almost Alchemy.” All workshop events and the final performance are free\, and the organizers a offering free snacks and hot beverages. Participation is limited to folks ages 19 and up. Please register for these special workshops at the Eventbrite link. \nThe schedule is as follows:\nWorkshop 1) Thursday March 14\, 3:00 pm – 4:30 pm at ImprovLab\, MCK U of G \nWRITING & IMPROVISED DANCE WORKSHOP W/ AIMÉE DAWN ROBINSON \nWorkshop 2) Wednesday March 27\, 5:00 pm -7:00 pm Silence\, 46 Essex \nSTORYTELLING THROUGH MUSIC SHARING W/ MATTHEW ENDAHL \nWorkshop 3) Friday April 5\, 2:30 pm – 4:00 pm at Guelph Public Library\, East Side Branch \nDEVISED MAKING (HANDS-ON) WORKSHOP W/ MICHAEL BERGMANN \nWorkshop 4) Wednesday April 17\, 5-6:30pm at Massey Hall\, room 300\, U of G \nDEVISED THEATRE CONFLICT RESOLUTION W/ TOM SCHOLTE \nPerformance and Roundtable Discussion – Friday April 19\, 7:00 pm\, ImprovLab\, MCK U of G \nParticipating in the performance is optional (but encouraged!) and requires taking part in at least one workshop\, though we’d love to have all workshop participants join as much as possible. The roundtable discussion will feature Alan Filewod\, Cynthia Ashperger\, and Judith Thompson\, and explore the history of worker’s theatre\, how labour and the arts interesect\, and how radical labour may help (re)define our work in the arts in the future. \nMore About the Events:\nThe workshops are designed for workers to explore creative outlets for themselves\, to build solidarity with each other through the arts. We are CUPE 3913 members – but all workers are welcome to attend! For all people ages 19 and up. \nMore About the Organizers:\nWe’re second year PhD students\, Michael F Bergmann\, Lucas Carravetta\, Matthew Endahl\, and Aimée Dawn Robinson – the fourth cohort of the Critical Studies in Improvisation program (IMPR) at the University of Guelph. We come from dance\, music\, and theatre backgrounds. We also have a band called Almost Alchemy\, which you can check out it here!
URL:https://improvisationinstitute.ca/event/labour-and-us-a-workshop-and-performance-series/
LOCATION:Ontario
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/03/thumbnail_image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240418T130000
DTEND;TZID=America/Toronto:20240418T150000
DTSTAMP:20240212T141616Z
CREATED:20240212T135924Z
LAST-MODIFIED:20240212T141616Z
UID:13996-1713445200-1713452400@improvisationinstitute.ca
SUMMARY:ImprovLab Open House Sessions\, April 18
DESCRIPTION:Please join us for a schedule of Thursday afternoon (1–3 pm ET) ImprovLab Open House Sessions! The sessions will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. Bring any instrument and be ready to improvise! \n\nThe full schedule is as follows: \nFebruary 8th (Electronic Music Session); immediately following Thinking Spaces: Colin Harrington \nFebruary 29th \nMarch 7th \nMarch 21st \nApril 4th \nApril 18th \nMay 2nd \nHope to see you there!
URL:https://improvisationinstitute.ca/event/improvlab-open-house-sessions-april-18/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,ImprovLab Open House Sessions
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/02/IICSI_OpenHouse_W242.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240417T193000
DTEND;TZID=America/Toronto:20240417T213000
DTSTAMP:20240410T121547Z
CREATED:20240319T134947Z
LAST-MODIFIED:20240410T121547Z
UID:14368-1713382200-1713389400@improvisationinstitute.ca
SUMMARY:Live @ImprovLab: Susanna Hood Trio and Sarah Belle Reid
DESCRIPTION:Please join us on Wednesday\, April 17 at 7:30 PM (ET) for the series premier of Live @ImprovLab\, featuring the Susanna Hood Trio and Sarah Belle Reid in an inspiring double bill. This performance will take place in person at ImprovLab\, MCKN 108 at the University of Guelph.  \nTickets are $15 or PWYC and available online through IICSI’s Eventbrite page. While tickets will be made available at the door\, attendees are encouraged to reserve tickets ahead of time. \nThe double bill will be preceded by a panel discussion moderated by Marie Zimmerman in which the artists will contextualize the work they will be presenting\, and share insights about the role that improvisation plays in what they do. \nMORE ABOUT THE EVENT:\nIICSI’s new Live @ImprovLab concert and performance series serves to showcase touring artists working in a variety of improvisatory idioms. Curated by IICSI Director Dr. Ajay Heble (Founder and former Artistic Director of the Guelph Jazz Festival and 2023 Killam Prize winner)\, the new series\, says Heble\, “aims to celebrate live improvised performances and to spotlight our beautiful new venue.”  \nTiohtià:ke/Mooniyang/Montreal-based bandleader and vocalist-dancer\, Susanna Hood\, along with the superb Tkaronto/Toronto-based musicians\, Tania Gill (piano) and Kayla Milmine (soprano saxophone) bring poet Judith Malina and composer Steve Lacy’s 1995 “Packet” suite to life through sound and movement. These audacious new arrangements blur the lines between what is heard and what is seen. Heart-felt\, yet unsentimental\, these eight songs hold no punches as they bring voice to a woman’s later life\, grappling with imperfection\, sexism\, paradox\, grit\, beauty\, regret\, invisibility\, death\, and love. \nIn Sarah Belle Reid’s improvisations and compositions\, musical notation is often experimental and graphical—an invitation to explore a new sonic universe. This spirit for exploration has led her to collaborate with musicians and artists of all genres\, including experimental electronic musician David Rosenboom\, thereminist Carolina Eyck\, and baroque-pop artist Julia Holter. Reid recorded trumpet and electronics on Holter’s 2019 record Aviary\, and recently wrapped up an extensive tour throughout North America\, Europe\, and Australia as a member of her band. Reid’s own compositions have been premiered and performed by a number of renowned musicians\, most recently pianist Vicki Ray and trumpeter Nate Wooley. In 2017 her composition “Flux” for amplified percussion quartet won the Grammy-nominated Los Angeles Percussion Quartet’s Next Wave Composer Initiative. \nMORE ABOUT THE PERFORMERS:\nSusanna Hood has devoted her career to synthesizing voice and movement\, creating intimate\, sensual and dynamic performances both in dance-theatre and improvised music contexts. Founder of her interdisciplinary performance company hum dansoundart (2000-2013) her work has been marked by significant collaborations with musical artists Nilan Perera (She’s Gone Away\, Shudder)\, John Oswald (Spinvolver)\, and Scott Thomson (The Rent – Musique de Steve Lacy\, The Muted Note – songs and dances setting the poetry of P.K. Page).  \nRecent creations (Music Is\, 2016\, and Impossibly Happy\, 2019) have been driven by her own musical compositions arranging voices\, instruments and movement. Other collaborations of note include Tortues Vapeur\, a duo with Montreal turntablist\, Martin Tétreault\, mixing turntables\, electronics\, synthesizers\, vocals and objects. (DAME’s Mikroclimat label\, 2019); a duo with Belgian bassist\, Peter Jacquemyn; and performances with the French trio Rrève Sélavy (Frédéric BBriet\, double bass; Nicolas Pointard\, drums; and Christophe Rocher\, clarinettes). Unpacked\, the first project with her trio with Toronto/Tkaronto musicians Tania Gill (piano) and Kayla Milmine (soprano saxophone)\, is a new arrangement and interpretation of the Packet suite by late American poet\, Judith Malina and late American jazz composer\, Steve Lacy. unPacked will be released as a recording in early 2024 on Quebec’s DAME label. Awards include the 1998 K.M. Hunter Emerging Artists Award in Dance\, 2006 Dora Mavor Moore Award for Outstanding Performance in Dance\, and the 2008 Canada Council Victor Martin Lynch-Staunton Award for Outstanding Achievement in the field of Dance. For more information\, please follow this link to Susanna’s website. \nKayla Milmine loves the new and under-explored sonic possibilities that only the soprano saxophone can offer. Her unique approach has the edginess and brashness of Anthony Braxton and Roscoe Mitchell yet also a warmth and thoughtfulness reminiscent of Steve Lacy. In 2019\, Milmine released a solo album called ‘Straight Horn Magick; a mixture of field recordings and solo soprano saxophone improvisations. She plays regularly in trio form with pianist Bill Gilliam and percussionist Ambrose Pottie\, and in duo form with guitarist/composer Brian Abbott in their band FASTER. In February 2019\, she was invited to record with celebrated bassist\, William Parker in a chamber-improv sextet in NY\, where she often travels to study with mentor/collaborator\, Sam Newsome. She is presently composing for her new project\, the ‘Kayla Milmine Quartet’ with aforementioned Sam Newsome\, and drummers Mark Ferber and Rachel Housle. She is co-founder of the Women From Space Festival in Toronto. \nToronto-based pianist and composer Tania Gill has spent over twenty years cultivating a singular but polymorphous musical approach. She has developed a distinctive improvisational language in jazz and improvised music\, playing in ensembles such as the Brodie West Quintet\, Chris Banks Trio\, The Titillators\, See Through Trio and Rebecca Hennessy’s Makeshift Island. Her own group\, the Tania Gill Quartet\, comprises leading Canadian musicians Lina Allemano (trumpet)\, Rob Clutton (bass)\, and Nico Dann (drums). Their acclaimed disc Bolger Station (2010\, Barnyard Records)\, was nominated for best debut album in the Village Voice jazz critics’ poll and was included among the Globe and Mail’s top ten albums of the year. The follow-up\, Disappearing Curiosities\, launched in 2022 and was included on best-of-2022 lists in the Wire. Gill’s unconventional versatility keeps her engaged in an eclectic array of styles. She was a member of Deep Dark United and the Flying Bulgar Klezmer Band\, and is a regular collaborator to vocalist Fides Krucker\, and singer-songwriter Kyp Harness. She has also shared the stage with Steve Reich\, Man Forever\, Gord Downie\, Mary Margaret O’Hara\, the Weather Station\, Margaret Atwood\, and Charles Spearin’s Happiness Project\, and she has performed with dancers including Peggy Baker\, Andrea Nann\, Heidi Strauss and Laurence Lemieux. Tania is a supportive and dedicated educator and currently teaches at Humber College and the University of Toronto. Fore more information\, please follow this link to Tania’s website. \nSarah Belle Reid is a performer-composer who plays trumpet\, modular synthesizer\, and an ever-growing collection of handcrafted electronic instruments. Her unique musical voice explores the intersections between contemporary classical music\, experimental and interactive electronics\, visual arts\, noise music\, and improvisation. Often praised for her ability to transport audience members through vivid sonic adventures\, Reid’s sonic palette has been described as ranging from “graceful” and “danceable” all the way to “silk-falling-through-space\,” and “pit-full-of-centipedes” (San Francisco Classical Voice). \nReid holds a Doctorate of Musical Arts from California Institute of the Arts\, with a research focus on the development of new electronic instruments and musical notation systems as interfaces for exploring temporal perception and co-creation. Her debut album for trumpet and interactive electronics\, “Underneath and Sonder\,” was released on pfMENTUM in October\, 2019. In March 2024 she released a tape-music inspired electroacoustic record titled “MASS”\, featuring trumpet\, voice\, electronics\, and amplified objects\, on Aurora Central Records. \nIn addition to her performance and compositional work\, Reid runs an online music education company dedicated to teaching sound synthesis and electroacoustic composition to professional and hobbyist musicians. She has mentored thousands of musicians from around the world in her online programs\, and is a frequent guest lecturer at notable institutions in the US and Canada including Stanford University\, University of Victoria\, California Institute of the Arts\, New York University (NYU)\, among others. For more information\, please follow this link to Sarah’s website.
URL:https://improvisationinstitute.ca/event/live-improvlab-susanna-hood-trio-and-sarah-belle-reid/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Live @ImprovLab
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/03/IICSI_LiveSeries_17April24—social.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240314T150000
DTEND;TZID=America/Toronto:20240314T163000
DTSTAMP:20240401T132513Z
CREATED:20240307T142300Z
LAST-MODIFIED:20240401T132513Z
UID:14338-1710428400-1710433800@improvisationinstitute.ca
SUMMARY:Labour and Us: A Workshop and Performance Series
DESCRIPTION:Please join us for Labour and Us: A Workshops and Performance Series by IMPR Students “Cohort Four / Almost Alchemy.” All workshop events and the final performance are free\, and the organizers a offering free snacks and hot beverages. Participation is limited to folks ages 19 and up. Please register for these special workshops at the Eventbrite link. \nThe schedule is as follows:\nWorkshop 1) Thursday March 14\, 3:00 pm – 4:30 pm at ImprovLab\, MCK U of G \nWRITING & IMPROVISED DANCE WORKSHOP W/ AIMÉE DAWN ROBINSON \nWorkshop 2) Wednesday March 27\, 5:00 pm -7:00 pm Silence\, 46 Essex \nSTORYTELLING THROUGH MUSIC SHARING W/ MATTHEW ENDAHL \nWorkshop 3) Friday April 5\, 2:30 pm – 4:00 pm at Guelph Public Library\, East Side Branch \nDEVISED MAKING (HANDS-ON) WORKSHOP W/ MICHAEL BERGMANN \nWorkshop 4) Wednesday April 17\, 5-6:30pm at Massey Hall\, room 300\, U of G \nDEVISED THEATRE CONFLICT RESOLUTION W/ TOM SCHOLTE \nPerformance and Roundtable Discussion – Friday April 19\, 7:00 pm\, ImprovLab\, MCK U of G \nParticipating in the performance is optional (but encouraged!) and requires taking part in at least one workshop\, though we’d love to have all workshop participants join as much as possible. The roundtable discussion will feature Alan Filewod\, Cynthia Ashperger\, and Judith Thompson\, and explore the history of worker’s theatre\, how labour and the arts interesect\, and how radical labour may help (re)define our work in the arts in the future. \nMore About the Events:\nThe workshops are designed for workers to explore creative outlets for themselves\, to build solidarity with each other through the arts. We are CUPE 3913 members – but all workers are welcome to attend! For all people ages 19 and up. \nMore About the Organizers:\nWe’re second year PhD students\, Michael F Bergmann\, Lucas Carravetta\, Matthew Endahl\, and Aimée Dawn Robinson – the fourth cohort of the Critical Studies in Improvisation program (IMPR) at the University of Guelph. We come from dance\, music\, and theatre backgrounds. We also have a band called Almost Alchemy\, which you can check out it here!
URL:https://improvisationinstitute.ca/event/labour-and-us-a-workshop-and-performance-series/
LOCATION:Ontario
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/03/thumbnail_image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240412T090000
DTEND;TZID=America/Toronto:20240412T153000
DTSTAMP:20240411T180619Z
CREATED:20240402T171806Z
LAST-MODIFIED:20240411T180619Z
UID:14406-1712912400-1712935800@improvisationinstitute.ca
SUMMARY:IICSI Research Studio Session\, Featuring Dr. Rashida K. Braggs' "Amber in the City of Light"
DESCRIPTION:Please join us on Friday\, April 12 at 9:00 AM (ET) for IICSI’s “Research Studio Session\, Featuring a Keynote Presentation by Dr. Rashida K. Braggs: Amber in the City of Light”  \nThe morning will begin with Dr. Braggs’ keynote\, followed by presentations of student work through the rest of the day. \nThis event will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The keynote presentation by Dr. Braggs will be streamed online via Zoom\, the student portion will be in person only.\n \nTo attend the Keynote Portion of our day of research\, please RSVP via our Google Forms. The studio session and keynote presentation are free and open to all!  \nMore About the Research Studio Session:\nThe idea is to encourage grad students in the IMPR program and students/researchers working as research assistants with IICSI to present short (3-5 minute) descriptions of their improvisation-related research or work at an end-of-semester gathering of other students\, as well as IICSI team members\, staff\, and invited guests. \nInspired\, in part\, by the “Three-Minute Thesis” competition for grad students\, we hope that participants will respond to the challenge to present their work and its wider impact and implications in plain language in five minutes or less.\n \nKicking off the Research Studio Session will be a keynote presentation by Dr. Rashida K. Braggs (Africana Studies\, Williams College\, USA)\, entitled “Amber in the City of Light” which will begin around 9:00 AM (ET). Dr. Braggs’ presentation will be streamed online via Zoom. \nMore About The Keynote Presentation:\nDr. Rashida K. Braggs will screen and discuss Amber in the City of Light\, a solo multimedia performance that shares and re-envisions the experiences of Black African diasporic women jazz artists who have migrated to Paris\, France. Culling original interviews\, field notes and archival research\, Dr. Rashida K. Braggs enacts multiple narratives through an embodied performance that merges original song\, dance\, poetry and theatre. \nMore About The Presenter:\n\nDr. Rashida K. Braggs is a scholar-performer who acts\, dances\, sings\, composes music and performs spoken word. Jacob’s Pillow\, Williams College Museum of Art\, the Tapir Art Gallery and the United Solo Theatre Festival have featured her performances. She is also a Professor of Africana Studies at Williams College (Williamstown\, Massachusetts)\, a Fulbright Global Scholar\, and a co-recipient of a National Endowment of the Humanities Fellowship. The author of Jazz Diasporas: Race\, Music and Migration in Post-World War II Paris\, Rashida has also published in such journals as the Nottingham French Studies\, the Journal of Popular Music Studies and The Black Scholar. \n\nSchedule of Events:\n9:00 KEYNOTE: Rashida K Braggs (Africana Studies\, Williams College\, USA)\, “Amber in the City of Light” \n10:00 – 10:30 BREAK \n10:30 Nick Fraser\, “Smooth Operations: Composing Music for (Free?) Improvisers” \n10:45 Rachelle Myrie\, “‘The Spirit of the Thing’: Music\, Improvisation\, and Human Flourishing in African\, Caribbean\, and Black Communities” \n11:00 Taylor Graham (School of English and Theatre Studies\, University of Guelph)\, “The Blyth Festival Theatre and the Imagined Community of Rural Canada” \n11:15 Matthew Endahl\, “Holding Space for/in Ensemble Creativity” \n11:30 Kathryn Cobbler\, “Growing Intimate Conversations: Examining the Performer-Composer Connection of Music Improvisation” \n11:45 Jordan Zalis (Ethnomusicology\, Memorial University of Newfoundland)\, “Clouds of Probability: Improvisation as Effectuality in Spectacular Sports Theatre” \n12:00 noon – 1:00 lunch \n1:00 Aimée Dawn Robinson\, “Full Circle” \n1:15 Michael Bergmann\, Improvnetics: Post-anthropocentric performance and improvisational modes for human-AI play\, or: What we talk about when we talk about Intersentient empathy” \n1:30 Mike Hansen\, “When Does Noise Become A Sound?: Redefining Through Participatory Sound Art Practices” \n1:45 Sofia Boz (Pedagogical\, Educational and Instructional Sciences\, University of Padua\, Italy)\, “Jazz’n School” \n2:00 Bob Wiseman\, “The Black Box” \n2:15 Brent Rowan\, “Critical Hardware\, Software\, and Infrastructure Considerations for Telematic Musicking” \n2:30 annais linares\, “Arts-Based Kin Making: Co-creative Multispecies Accompaniment” \n 
URL:https://improvisationinstitute.ca/event/iicsi-research-studio-session-2-0-featuring-dr-rashida-k-braggs-amber-in-the-city-of-light/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/04/IICSI-Research-Studio-Session.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240406T140000
DTEND;TZID=America/Toronto:20240406T153000
DTSTAMP:20240319T145055Z
CREATED:20240319T145055Z
LAST-MODIFIED:20240319T145055Z
UID:14380-1712412000-1712417400@improvisationinstitute.ca
SUMMARY:Pop Up Concerts @ ImprovLab - VoI. III: AJAY\, EMMA\, KATHRYN and jashen
DESCRIPTION:Please join us Saturday\, April 6th\, at 2:00 PM for the third in a series of small-scale\, largely acoustic Pop Up Concerts @ ImprovLab. \nVol. III:\nAJAY\, EMMA\, KATHRYN\,  and jashen \n(piano\, electric guitar\, loop pedal viola\, and trumpet) \nSubsequent ‘Pop Up Concerts’ will take place the first Saturday of each month\, @ ImprovLab (108 MacKinnon Building\, University of Guelph Campus)—the best sounding room in Guelph! \nAs always\, entry is free and our Pop Up series will remain low-key.
URL:https://improvisationinstitute.ca/event/pop-up-concerts-improvlab-voi-iii-ajay-emma-kathryn-and-jashen/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Pop Up Concerts @ ImprovLab
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/03/Pop-Up-Series-Vol-III-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240314T150000
DTEND;TZID=America/Toronto:20240314T163000
DTSTAMP:20240401T132513Z
CREATED:20240307T142300Z
LAST-MODIFIED:20240401T132513Z
UID:14338-1710428400-1710433800@improvisationinstitute.ca
SUMMARY:Labour and Us: A Workshop and Performance Series
DESCRIPTION:Please join us for Labour and Us: A Workshops and Performance Series by IMPR Students “Cohort Four / Almost Alchemy.” All workshop events and the final performance are free\, and the organizers a offering free snacks and hot beverages. Participation is limited to folks ages 19 and up. Please register for these special workshops at the Eventbrite link. \nThe schedule is as follows:\nWorkshop 1) Thursday March 14\, 3:00 pm – 4:30 pm at ImprovLab\, MCK U of G \nWRITING & IMPROVISED DANCE WORKSHOP W/ AIMÉE DAWN ROBINSON \nWorkshop 2) Wednesday March 27\, 5:00 pm -7:00 pm Silence\, 46 Essex \nSTORYTELLING THROUGH MUSIC SHARING W/ MATTHEW ENDAHL \nWorkshop 3) Friday April 5\, 2:30 pm – 4:00 pm at Guelph Public Library\, East Side Branch \nDEVISED MAKING (HANDS-ON) WORKSHOP W/ MICHAEL BERGMANN \nWorkshop 4) Wednesday April 17\, 5-6:30pm at Massey Hall\, room 300\, U of G \nDEVISED THEATRE CONFLICT RESOLUTION W/ TOM SCHOLTE \nPerformance and Roundtable Discussion – Friday April 19\, 7:00 pm\, ImprovLab\, MCK U of G \nParticipating in the performance is optional (but encouraged!) and requires taking part in at least one workshop\, though we’d love to have all workshop participants join as much as possible. The roundtable discussion will feature Alan Filewod\, Cynthia Ashperger\, and Judith Thompson\, and explore the history of worker’s theatre\, how labour and the arts interesect\, and how radical labour may help (re)define our work in the arts in the future. \nMore About the Events:\nThe workshops are designed for workers to explore creative outlets for themselves\, to build solidarity with each other through the arts. We are CUPE 3913 members – but all workers are welcome to attend! For all people ages 19 and up. \nMore About the Organizers:\nWe’re second year PhD students\, Michael F Bergmann\, Lucas Carravetta\, Matthew Endahl\, and Aimée Dawn Robinson – the fourth cohort of the Critical Studies in Improvisation program (IMPR) at the University of Guelph. We come from dance\, music\, and theatre backgrounds. We also have a band called Almost Alchemy\, which you can check out it here!
URL:https://improvisationinstitute.ca/event/labour-and-us-a-workshop-and-performance-series/
LOCATION:Ontario
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/03/thumbnail_image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240405T103000
DTEND;TZID=America/Toronto:20240405T120000
DTSTAMP:20250415T185939Z
CREATED:20240403T120838Z
LAST-MODIFIED:20250415T185939Z
UID:14412-1712313000-1712318400@improvisationinstitute.ca
SUMMARY:Thinking Spaces: IICSI Postdoctoral Researchers\, "Same Place\, Same Time\, Different Stories: Creative Interpolations"
DESCRIPTION:Please join us on Friday\, April 5\, at 1p:30 AM (ET) for Thinking Spaces: “Same Place\, Same Time\, Different Stories: Creative Interpolations” with IICSI Postdoctoral Researchers\, Rebecca Barnstaple\, Shelby Bohn\, and jashen edwards.  \n\nThis presentation will take place in person at ImprovLab\, MCKN 108 at the University of Guelph\, as well as online via Zoom. As always\, our Thinking Spaces events are free! \n\nMore about this talk:\nIn this improvisational play session\, current IICSI postdoctoral students (Rebecca Barnstaple\, Shelby Bohn\, and jashen edwards) will demonstrate and discuss ways their research intersects to inform new ways of sensing\, knowing\, and being. Weaving a tapestry of dance\, science\, and music\, our presentation will elucidate how multisensory perceptions may be formed and (re)formed via multidisciplinary approaches to creative arts. \nMore about the speakers:\nRebecca Barnstaple (PhD Dance Studies; Graduate Program in Neuroscience 2020\, York University) is the Manager of Community Initiatives\, Research and Innovation at Centre Communautaire Chigamik Community Health Centre\, Midland\, Ontario\, and an IICSI Postdoctoral Fellow\, University of Guelph. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens (2015)\, she provides education and training in dance therapy and associated research globally. She has been involved in the development and delivery of improvisational arts and health initiatives in the United States (IMPROVment\, Wake Forest University) and Canada (SingWell\, Toronto Metropolitan University; Piece of Mind\, McGill; Dance for Health\, Nova Scotia) and serves in a leadership capacity for professional organizations including the Dance Movement Therapy Association of Canada (Accreditation and Certification Committee)\, the American Dance Therapy Association (Research and Practice Committee)\, and the International Association of Dance Medicine Science (International Benchmarking Standards Task Force\, Dance for Health Committee). Rebecca directs the Research to Practice Lab for ZOE School of Dance Movement Therapy in Basel\, Switzerland. \nDr. Shelby Bohn\, a post-doctoral researcher at #UofG and lead artist behind College Royal’s 100th-anniversary mural\, aims to bridge the gap between two disciplines that don’t often communicate with each other.\n \njashen edwards‘ research centers around students’ sonic lifeworlds – sound currents streaming at home\, school\, on the streets and cyberspace –examining how sonic encounters may be a conduit and catalyst for creative critical consciousness. Drawing upon the fields of archaeoacoustics\, sound studies\, and sensuous scholarship\, his work seeks to draw connections between music education and social justice arts education through the phenomenon of sound. He has worked in PK-12 schools\, colleges and universities\, juvenile detention centers and homeless shelters in San Francisco\, Oakland\, Chicago\, Berlin\, Deutschland and London\, ON. jashen has published and presented his research internationally and is co-founder of Sound\, Meaning\, Education (SME). Presently\, jashen is a in post-doctoral fellow at the International Institute for Critical Studies in Improvisation (IICSI). He has earned a Ph.D. in music education from Western University\, an MA in music education from Northwestern and a BA in music (composition) from the University of California\, Berkeley. \n\n\nTo attend the talk in-person or online\, RSVP via our Google Forms.
URL:https://improvisationinstitute.ca/event/thinking-spaces-iicsi-postdocs/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Thinking Spaces
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/04/Thinking-Spaces-postdocs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240404T130000
DTEND;TZID=America/Toronto:20240404T150000
DTSTAMP:20240212T141427Z
CREATED:20240212T135727Z
LAST-MODIFIED:20240212T141427Z
UID:13994-1712235600-1712242800@improvisationinstitute.ca
SUMMARY:ImprovLab Open House Sessions\, April 4
DESCRIPTION:Please join us for a schedule of Thursday afternoon (1–3 pm ET) ImprovLab Open House Sessions! The sessions will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. Bring any instrument and be ready to improvise! \n\nThe full schedule is as follows: \nFebruary 8th (Electronic Music Session); immediately following Thinking Spaces: Colin Harrington \nFebruary 29th \nMarch 7th \nMarch 21st \nApril 4th \nApril 18th \nMay 2nd \nHope to see you there!
URL:https://improvisationinstitute.ca/event/improvlab-open-house-sessions-april-4/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,ImprovLab Open House Sessions
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/02/IICSI_OpenHouse_W242.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240403T133000
DTEND;TZID=America/Toronto:20240403T150000
DTSTAMP:20240319T151108Z
CREATED:20240319T151108Z
LAST-MODIFIED:20240319T151108Z
UID:14342-1712151000-1712156400@improvisationinstitute.ca
SUMMARY:Campus Friends and IICSI present: "Sounds Like Us" - Final Performance
DESCRIPTION:Please join us on Wednesday\, April 3 at 1:30 PM (ET) for “Sounds Like Us” a Final Concert Performance by Campus Friends and IICSI.  \nThis performance will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. This special concert event is free and open to all! \nMORE ABOUT THIS EVENT:\n“Let’s make it up as we go along!” \n“Sounds Like Us”—presented by the International Institute for Critical Studies in Improvisation (IICSI) and the Campus Friends (CF) program—brings professional musicians into collaboration with community members of varying developmental and physical needs through a series of fun and playful improvisation-based workshops.  \nThis event celebrates a semester of music and community making with a final public concert!\n \nMORE ABOUT THE PERFORMERS:\nCampus Friends is an initiative that offers post-secondary experiences on the University of Guelph campus to adults with varying developmental and physical needs. \nA partnership between Community Living Guelph Wellington and U of G’s Experiential Learning Hub\, this program has run on campus since 2016. Twelve participants take part each year\, along with more than 20 mentors. \nTypically\, students attend Campus Friends one day per week during the year for up to three years. They take part in activities including academic and learning opportunities\, volunteering\, athletics and special events. \n“Sounds Like Us” draws upon IICSI’s 12+ years of co-running “Play Who You Are” workshops with KidsAbility that have offered all participants—from new musicians to the very experienced; from music afficionados and scholars to first-time listeners—revelations about the links between music and community-making\, improvisation and individual/community well-being\, sound and self-expression.
URL:https://improvisationinstitute.ca/event/campus-friends-and-iicsi-present-sounds-like-us-final-performance/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/03/IICSI_SoundsLikeUs_24—social.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240314T150000
DTEND;TZID=America/Toronto:20240314T163000
DTSTAMP:20240401T132513Z
CREATED:20240307T142300Z
LAST-MODIFIED:20240401T132513Z
UID:14338-1710428400-1710433800@improvisationinstitute.ca
SUMMARY:Labour and Us: A Workshop and Performance Series
DESCRIPTION:Please join us for Labour and Us: A Workshops and Performance Series by IMPR Students “Cohort Four / Almost Alchemy.” All workshop events and the final performance are free\, and the organizers a offering free snacks and hot beverages. Participation is limited to folks ages 19 and up. Please register for these special workshops at the Eventbrite link. \nThe schedule is as follows:\nWorkshop 1) Thursday March 14\, 3:00 pm – 4:30 pm at ImprovLab\, MCK U of G \nWRITING & IMPROVISED DANCE WORKSHOP W/ AIMÉE DAWN ROBINSON \nWorkshop 2) Wednesday March 27\, 5:00 pm -7:00 pm Silence\, 46 Essex \nSTORYTELLING THROUGH MUSIC SHARING W/ MATTHEW ENDAHL \nWorkshop 3) Friday April 5\, 2:30 pm – 4:00 pm at Guelph Public Library\, East Side Branch \nDEVISED MAKING (HANDS-ON) WORKSHOP W/ MICHAEL BERGMANN \nWorkshop 4) Wednesday April 17\, 5-6:30pm at Massey Hall\, room 300\, U of G \nDEVISED THEATRE CONFLICT RESOLUTION W/ TOM SCHOLTE \nPerformance and Roundtable Discussion – Friday April 19\, 7:00 pm\, ImprovLab\, MCK U of G \nParticipating in the performance is optional (but encouraged!) and requires taking part in at least one workshop\, though we’d love to have all workshop participants join as much as possible. The roundtable discussion will feature Alan Filewod\, Cynthia Ashperger\, and Judith Thompson\, and explore the history of worker’s theatre\, how labour and the arts interesect\, and how radical labour may help (re)define our work in the arts in the future. \nMore About the Events:\nThe workshops are designed for workers to explore creative outlets for themselves\, to build solidarity with each other through the arts. We are CUPE 3913 members – but all workers are welcome to attend! For all people ages 19 and up. \nMore About the Organizers:\nWe’re second year PhD students\, Michael F Bergmann\, Lucas Carravetta\, Matthew Endahl\, and Aimée Dawn Robinson – the fourth cohort of the Critical Studies in Improvisation program (IMPR) at the University of Guelph. We come from dance\, music\, and theatre backgrounds. We also have a band called Almost Alchemy\, which you can check out it here!
URL:https://improvisationinstitute.ca/event/labour-and-us-a-workshop-and-performance-series/
LOCATION:Ontario
ATTACH;FMTTYPE=image/png:https://improvisationinstitute.ca/wp-content/uploads/2024/03/thumbnail_image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240327T133000
DTEND;TZID=America/Toronto:20240327T150000
DTSTAMP:20240228T142508Z
CREATED:20240228T135219Z
LAST-MODIFIED:20240228T142508Z
UID:14214-1711546200-1711551600@improvisationinstitute.ca
SUMMARY:Thinking Spaces: adam patrick bell "Admiration and Imitation: Toward a Disability-Led Model for Music Education"
DESCRIPTION:Please join us on Wednesday\, March 27 at 1:30 PM (ET) for Thinking Spaces: “Admiration and Imitation: Toward a Disability-Led Model for Music Education” with adam patrick bell.  \n\nThis presentation will take place in person at ImprovLab\, MCKN 108 at the University of Guelph\, as well as online via Zoom. As always\, our Thinking Spaces events are free! \n\nMore about this talk:\nIn this presentation\, adam will discuss the disability-led model of Drake Music Lab\, a UK-based organization that brands itself as “leaders in music\, disability\, and technology\,” its influence on his community-based collaborative research projects in Canada\, and the implications of this approach for the profession of music education \nMore about the speaker:\nadam patrick bell is Canada Research Chair of Music\, Inclusion\, and Accessibility and an associate professor of music education at Western University\, Canada. He is the author of Dawn of the DAW (Oxford\, 2018)\, and editor of the Music Technology Cookbook (2020). adam is the editor of Canadian Music Educator and serves on the editorial boards of International Journal of Music Education\, Journal of Music\, Technology & Education\, Journal of Popular Music Education\, and Visions of Research in Music Education. Currently\, adam is the principal investigator of three studies funded by the Social Sciences and Humanities Research Council of Canada that focus on disability and music education \n\n\nTo attend the talk in-person or online\, RSVP via our Google Forms.
URL:https://improvisationinstitute.ca/event/thinking-spaces-adam-patrick-bell-admiration-and-imitation-toward-a-disability-led-model-for-music-education/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Thinking Spaces
ATTACH;FMTTYPE=image/jpeg:https://improvisationinstitute.ca/wp-content/uploads/2024/02/Thinking-Spaces-adam-patrcik-bell.jpg
END:VEVENT
END:VCALENDAR