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DTSTART;TZID=America/Toronto:20240403T133000
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DTSTAMP:20240319T151108Z
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SUMMARY:Campus Friends and IICSI present: "Sounds Like Us" - Final Performance
DESCRIPTION:Please join us on Wednesday\, April 3 at 1:30 PM (ET) for “Sounds Like Us” a Final Concert Performance by Campus Friends and IICSI.  \nThis performance will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. This special concert event is free and open to all! \nMORE ABOUT THIS EVENT:\n“Let’s make it up as we go along!” \n“Sounds Like Us”—presented by the International Institute for Critical Studies in Improvisation (IICSI) and the Campus Friends (CF) program—brings professional musicians into collaboration with community members of varying developmental and physical needs through a series of fun and playful improvisation-based workshops.  \nThis event celebrates a semester of music and community making with a final public concert!\n \nMORE ABOUT THE PERFORMERS:\nCampus Friends is an initiative that offers post-secondary experiences on the University of Guelph campus to adults with varying developmental and physical needs. \nA partnership between Community Living Guelph Wellington and U of G’s Experiential Learning Hub\, this program has run on campus since 2016. Twelve participants take part each year\, along with more than 20 mentors. \nTypically\, students attend Campus Friends one day per week during the year for up to three years. They take part in activities including academic and learning opportunities\, volunteering\, athletics and special events. \n“Sounds Like Us” draws upon IICSI’s 12+ years of co-running “Play Who You Are” workshops with KidsAbility that have offered all participants—from new musicians to the very experienced; from music afficionados and scholars to first-time listeners—revelations about the links between music and community-making\, improvisation and individual/community well-being\, sound and self-expression.
URL:https://improvisationinstitute.ca/event/campus-friends-and-iicsi-present-sounds-like-us-final-performance/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
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DTSTART;TZID=America/Toronto:20240412T090000
DTEND;TZID=America/Toronto:20240412T153000
DTSTAMP:20240411T180619Z
CREATED:20240402T171806Z
LAST-MODIFIED:20240411T180619Z
UID:14406-1712912400-1712935800@improvisationinstitute.ca
SUMMARY:IICSI Research Studio Session\, Featuring Dr. Rashida K. Braggs' "Amber in the City of Light"
DESCRIPTION:Please join us on Friday\, April 12 at 9:00 AM (ET) for IICSI’s “Research Studio Session\, Featuring a Keynote Presentation by Dr. Rashida K. Braggs: Amber in the City of Light”  \nThe morning will begin with Dr. Braggs’ keynote\, followed by presentations of student work through the rest of the day. \nThis event will take place in person at ImprovLab\, MCKN 108 at the University of Guelph. The keynote presentation by Dr. Braggs will be streamed online via Zoom\, the student portion will be in person only.\n \nTo attend the Keynote Portion of our day of research\, please RSVP via our Google Forms. The studio session and keynote presentation are free and open to all!  \nMore About the Research Studio Session:\nThe idea is to encourage grad students in the IMPR program and students/researchers working as research assistants with IICSI to present short (3-5 minute) descriptions of their improvisation-related research or work at an end-of-semester gathering of other students\, as well as IICSI team members\, staff\, and invited guests. \nInspired\, in part\, by the “Three-Minute Thesis” competition for grad students\, we hope that participants will respond to the challenge to present their work and its wider impact and implications in plain language in five minutes or less.\n \nKicking off the Research Studio Session will be a keynote presentation by Dr. Rashida K. Braggs (Africana Studies\, Williams College\, USA)\, entitled “Amber in the City of Light” which will begin around 9:00 AM (ET). Dr. Braggs’ presentation will be streamed online via Zoom. \nMore About The Keynote Presentation:\nDr. Rashida K. Braggs will screen and discuss Amber in the City of Light\, a solo multimedia performance that shares and re-envisions the experiences of Black African diasporic women jazz artists who have migrated to Paris\, France. Culling original interviews\, field notes and archival research\, Dr. Rashida K. Braggs enacts multiple narratives through an embodied performance that merges original song\, dance\, poetry and theatre. \nMore About The Presenter:\n\nDr. Rashida K. Braggs is a scholar-performer who acts\, dances\, sings\, composes music and performs spoken word. Jacob’s Pillow\, Williams College Museum of Art\, the Tapir Art Gallery and the United Solo Theatre Festival have featured her performances. She is also a Professor of Africana Studies at Williams College (Williamstown\, Massachusetts)\, a Fulbright Global Scholar\, and a co-recipient of a National Endowment of the Humanities Fellowship. The author of Jazz Diasporas: Race\, Music and Migration in Post-World War II Paris\, Rashida has also published in such journals as the Nottingham French Studies\, the Journal of Popular Music Studies and The Black Scholar. \n\nSchedule of Events:\n9:00 KEYNOTE: Rashida K Braggs (Africana Studies\, Williams College\, USA)\, “Amber in the City of Light” \n10:00 – 10:30 BREAK \n10:30 Nick Fraser\, “Smooth Operations: Composing Music for (Free?) Improvisers” \n10:45 Rachelle Myrie\, “‘The Spirit of the Thing’: Music\, Improvisation\, and Human Flourishing in African\, Caribbean\, and Black Communities” \n11:00 Taylor Graham (School of English and Theatre Studies\, University of Guelph)\, “The Blyth Festival Theatre and the Imagined Community of Rural Canada” \n11:15 Matthew Endahl\, “Holding Space for/in Ensemble Creativity” \n11:30 Kathryn Cobbler\, “Growing Intimate Conversations: Examining the Performer-Composer Connection of Music Improvisation” \n11:45 Jordan Zalis (Ethnomusicology\, Memorial University of Newfoundland)\, “Clouds of Probability: Improvisation as Effectuality in Spectacular Sports Theatre” \n12:00 noon – 1:00 lunch \n1:00 Aimée Dawn Robinson\, “Full Circle” \n1:15 Michael Bergmann\, Improvnetics: Post-anthropocentric performance and improvisational modes for human-AI play\, or: What we talk about when we talk about Intersentient empathy” \n1:30 Mike Hansen\, “When Does Noise Become A Sound?: Redefining Through Participatory Sound Art Practices” \n1:45 Sofia Boz (Pedagogical\, Educational and Instructional Sciences\, University of Padua\, Italy)\, “Jazz’n School” \n2:00 Bob Wiseman\, “The Black Box” \n2:15 Brent Rowan\, “Critical Hardware\, Software\, and Infrastructure Considerations for Telematic Musicking” \n2:30 annais linares\, “Arts-Based Kin Making: Co-creative Multispecies Accompaniment” \n 
URL:https://improvisationinstitute.ca/event/iicsi-research-studio-session-2-0-featuring-dr-rashida-k-braggs-amber-in-the-city-of-light/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events
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DTSTART;TZID=America/Toronto:20240417T193000
DTEND;TZID=America/Toronto:20240417T213000
DTSTAMP:20240410T121547Z
CREATED:20240319T134947Z
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SUMMARY:Live @ImprovLab: Susanna Hood Trio and Sarah Belle Reid
DESCRIPTION:Please join us on Wednesday\, April 17 at 7:30 PM (ET) for the series premier of Live @ImprovLab\, featuring the Susanna Hood Trio and Sarah Belle Reid in an inspiring double bill. This performance will take place in person at ImprovLab\, MCKN 108 at the University of Guelph.  \nTickets are $15 or PWYC and available online through IICSI’s Eventbrite page. While tickets will be made available at the door\, attendees are encouraged to reserve tickets ahead of time. \nThe double bill will be preceded by a panel discussion moderated by Marie Zimmerman in which the artists will contextualize the work they will be presenting\, and share insights about the role that improvisation plays in what they do. \nMORE ABOUT THE EVENT:\nIICSI’s new Live @ImprovLab concert and performance series serves to showcase touring artists working in a variety of improvisatory idioms. Curated by IICSI Director Dr. Ajay Heble (Founder and former Artistic Director of the Guelph Jazz Festival and 2023 Killam Prize winner)\, the new series\, says Heble\, “aims to celebrate live improvised performances and to spotlight our beautiful new venue.”  \nTiohtià:ke/Mooniyang/Montreal-based bandleader and vocalist-dancer\, Susanna Hood\, along with the superb Tkaronto/Toronto-based musicians\, Tania Gill (piano) and Kayla Milmine (soprano saxophone) bring poet Judith Malina and composer Steve Lacy’s 1995 “Packet” suite to life through sound and movement. These audacious new arrangements blur the lines between what is heard and what is seen. Heart-felt\, yet unsentimental\, these eight songs hold no punches as they bring voice to a woman’s later life\, grappling with imperfection\, sexism\, paradox\, grit\, beauty\, regret\, invisibility\, death\, and love. \nIn Sarah Belle Reid’s improvisations and compositions\, musical notation is often experimental and graphical—an invitation to explore a new sonic universe. This spirit for exploration has led her to collaborate with musicians and artists of all genres\, including experimental electronic musician David Rosenboom\, thereminist Carolina Eyck\, and baroque-pop artist Julia Holter. Reid recorded trumpet and electronics on Holter’s 2019 record Aviary\, and recently wrapped up an extensive tour throughout North America\, Europe\, and Australia as a member of her band. Reid’s own compositions have been premiered and performed by a number of renowned musicians\, most recently pianist Vicki Ray and trumpeter Nate Wooley. In 2017 her composition “Flux” for amplified percussion quartet won the Grammy-nominated Los Angeles Percussion Quartet’s Next Wave Composer Initiative. \nMORE ABOUT THE PERFORMERS:\nSusanna Hood has devoted her career to synthesizing voice and movement\, creating intimate\, sensual and dynamic performances both in dance-theatre and improvised music contexts. Founder of her interdisciplinary performance company hum dansoundart (2000-2013) her work has been marked by significant collaborations with musical artists Nilan Perera (She’s Gone Away\, Shudder)\, John Oswald (Spinvolver)\, and Scott Thomson (The Rent – Musique de Steve Lacy\, The Muted Note – songs and dances setting the poetry of P.K. Page).  \nRecent creations (Music Is\, 2016\, and Impossibly Happy\, 2019) have been driven by her own musical compositions arranging voices\, instruments and movement. Other collaborations of note include Tortues Vapeur\, a duo with Montreal turntablist\, Martin Tétreault\, mixing turntables\, electronics\, synthesizers\, vocals and objects. (DAME’s Mikroclimat label\, 2019); a duo with Belgian bassist\, Peter Jacquemyn; and performances with the French trio Rrève Sélavy (Frédéric BBriet\, double bass; Nicolas Pointard\, drums; and Christophe Rocher\, clarinettes). Unpacked\, the first project with her trio with Toronto/Tkaronto musicians Tania Gill (piano) and Kayla Milmine (soprano saxophone)\, is a new arrangement and interpretation of the Packet suite by late American poet\, Judith Malina and late American jazz composer\, Steve Lacy. unPacked will be released as a recording in early 2024 on Quebec’s DAME label. Awards include the 1998 K.M. Hunter Emerging Artists Award in Dance\, 2006 Dora Mavor Moore Award for Outstanding Performance in Dance\, and the 2008 Canada Council Victor Martin Lynch-Staunton Award for Outstanding Achievement in the field of Dance. For more information\, please follow this link to Susanna’s website. \nKayla Milmine loves the new and under-explored sonic possibilities that only the soprano saxophone can offer. Her unique approach has the edginess and brashness of Anthony Braxton and Roscoe Mitchell yet also a warmth and thoughtfulness reminiscent of Steve Lacy. In 2019\, Milmine released a solo album called ‘Straight Horn Magick; a mixture of field recordings and solo soprano saxophone improvisations. She plays regularly in trio form with pianist Bill Gilliam and percussionist Ambrose Pottie\, and in duo form with guitarist/composer Brian Abbott in their band FASTER. In February 2019\, she was invited to record with celebrated bassist\, William Parker in a chamber-improv sextet in NY\, where she often travels to study with mentor/collaborator\, Sam Newsome. She is presently composing for her new project\, the ‘Kayla Milmine Quartet’ with aforementioned Sam Newsome\, and drummers Mark Ferber and Rachel Housle. She is co-founder of the Women From Space Festival in Toronto. \nToronto-based pianist and composer Tania Gill has spent over twenty years cultivating a singular but polymorphous musical approach. She has developed a distinctive improvisational language in jazz and improvised music\, playing in ensembles such as the Brodie West Quintet\, Chris Banks Trio\, The Titillators\, See Through Trio and Rebecca Hennessy’s Makeshift Island. Her own group\, the Tania Gill Quartet\, comprises leading Canadian musicians Lina Allemano (trumpet)\, Rob Clutton (bass)\, and Nico Dann (drums). Their acclaimed disc Bolger Station (2010\, Barnyard Records)\, was nominated for best debut album in the Village Voice jazz critics’ poll and was included among the Globe and Mail’s top ten albums of the year. The follow-up\, Disappearing Curiosities\, launched in 2022 and was included on best-of-2022 lists in the Wire. Gill’s unconventional versatility keeps her engaged in an eclectic array of styles. She was a member of Deep Dark United and the Flying Bulgar Klezmer Band\, and is a regular collaborator to vocalist Fides Krucker\, and singer-songwriter Kyp Harness. She has also shared the stage with Steve Reich\, Man Forever\, Gord Downie\, Mary Margaret O’Hara\, the Weather Station\, Margaret Atwood\, and Charles Spearin’s Happiness Project\, and she has performed with dancers including Peggy Baker\, Andrea Nann\, Heidi Strauss and Laurence Lemieux. Tania is a supportive and dedicated educator and currently teaches at Humber College and the University of Toronto. Fore more information\, please follow this link to Tania’s website. \nSarah Belle Reid is a performer-composer who plays trumpet\, modular synthesizer\, and an ever-growing collection of handcrafted electronic instruments. Her unique musical voice explores the intersections between contemporary classical music\, experimental and interactive electronics\, visual arts\, noise music\, and improvisation. Often praised for her ability to transport audience members through vivid sonic adventures\, Reid’s sonic palette has been described as ranging from “graceful” and “danceable” all the way to “silk-falling-through-space\,” and “pit-full-of-centipedes” (San Francisco Classical Voice). \nReid holds a Doctorate of Musical Arts from California Institute of the Arts\, with a research focus on the development of new electronic instruments and musical notation systems as interfaces for exploring temporal perception and co-creation. Her debut album for trumpet and interactive electronics\, “Underneath and Sonder\,” was released on pfMENTUM in October\, 2019. In March 2024 she released a tape-music inspired electroacoustic record titled “MASS”\, featuring trumpet\, voice\, electronics\, and amplified objects\, on Aurora Central Records. \nIn addition to her performance and compositional work\, Reid runs an online music education company dedicated to teaching sound synthesis and electroacoustic composition to professional and hobbyist musicians. She has mentored thousands of musicians from around the world in her online programs\, and is a frequent guest lecturer at notable institutions in the US and Canada including Stanford University\, University of Victoria\, California Institute of the Arts\, New York University (NYU)\, among others. For more information\, please follow this link to Sarah’s website.
URL:https://improvisationinstitute.ca/event/live-improvlab-susanna-hood-trio-and-sarah-belle-reid/
LOCATION:ImprovLab\, MacKinnon Room 108\, 87 Trent Lane\, University of Guelph\, Guelph\, Ontario\, N1G 1Y4\, Canada
CATEGORIES:IICSI events,Live @ImprovLab
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