Audiopollination Guelph returns for our second episode of Season 3, featuring new lineups of musicians and performers performing improvised music never before heard! It's most likely going to be a chilly evening, but I hope you can make it for the final night of improvisation and community in 2024! (more to come next year)
On Saturday January 25th, 2025, Wet Sounds: feminist + queer music practices in the polycrisis presents a performance and conversation with PANTAYO. The second guest in the series hosted by Musagetes in Guelph, Pantayo are queer Filipinx kulintang gong punks based in Tkaronto, Canada. The ensemble combines traditional Kulintang music from the Philippines with contemporary influences and experimental sounds derived from their experiences as queer diasporic Filipinxs on Turtle Island.
We are pleased to announce the initial book launch for Soundin’ Canaan: Black Canadian Poetry, Music, and Citizenship, by Improvising Futures team member, Paul db Watkins on Thursday, February 6, at 7:00 PM (PST). The event will take place in person at The Vault Café, (499 Wallace Street, Nanaimo, BC). The book launch is by donation…
In this masterclass, we explore the importance of moving beyond our earthly selves to reach our true creative potential when improvising. As artists, our improvisational journeys can take us from the explainable to the unexplainable, from the ordinary to the extraordinary. Using the iconic cartoon character Popeye the Sailor Man as a metaphor, we will discuss what true transcendence looks like in the creative process. We will also delve into how to employ extended techniques and instrument preparations as methods of transcendence, pushing the boundaries of traditional performance. Active participation from fellow musicians is highly encouraged.
Cancelled due to inclement weather |
In this discussion, we'll shed light on the art-theoretical approaches of the hakosalo_tuhino duo. Our improvised music comes from the archaic kantele playing tradition, where you are in the music instead of making it. Drawing from the deep listening method, our sonic expression is a spatial and temporal experience that cannot be recorded and repeated.
Our improvised music comes from the archaic kantele playing tradition, where you are in the music instead of making it. Drawing from the deep listening method, our sonic expression is a spatial and temporal experience that cannot be recorded and repeated.
International Institute for Critical Studies in Improvisation IICSI House,
9 University Avenue East,
Guelph, ON,
N1H 1M8
Tel: 519-824-4120 Ext. 53885 | [email protected]
Send mail to:
IICSI House
9 University Avenue East
Guelph, Ontario
N1H 1M8
improv@uoguelph.ca
