Thinking Spaces: Rashida K. Braggs, “Black Women Who Move Jazz Methodologies”
Thinking Spaces, the Improvisation Reading Group and Speaker Series, considers the ways in which improvisation can provide us with new ways of thinking and acting.
Thinking Spaces, the Improvisation Reading Group and Speaker Series, considers the ways in which improvisation can provide us with new ways of thinking and acting.
Improvisation is a core element of some interventions in the emerging fields of dance for health and dance therapy, which have shown potential to slow progress or diminish symptoms of neurodegenerative diseases such as Parkinson's and Alheimer's.
The purpose of this talk is to invite partnership and mutual sharing in Critical Studies in Improvisation to imagine uses and expansion in plantation societies. Using art to confront complicated social issues is a long accepted and well received practice in plantation societies.
Sound, Meaning, Education (SME) invites researchers, artists, and/or teachers to submit proposals for an in-person conference to be held at the University of Guelph, October 20-22, 2023. The conference will gather all manner of curricular innovators to share research/scholarship, pedagogical strategies, narratives/stories, performances, and imaginings.
Musical Improvisation at Land’s End (MILE) is a unique summer camp that will engage musicians in hands-on workshops led by world-class improvising artists.
Thinking Spaces, “Improvisation, Pedagogy and Pre-Texts” is presented by Sophie Brown, and takes place Wednesday, September 13 at 4pm ET. The talk includes a presentation followed by a guided Q&A and conversation period.
Sophie's talk is based on her recently published chapter about Pre-Texts, and offers an overview of the method for integrating civics, innovation, and literacy in the classroom. It draws on the experience of Lindsay Bobyak and Sophie Brown in using Pre-Texts with elementary students as part of Creative Roots Collective, which provides educational opportunities in rural Colorado.
Amplifying this year’s 30th anniversary edition of The Guelph Jazz Festival (GJF), the improvisation community will gather to reflect on, share, and celebrate the significance and impact of this unique and award-winning world-class event. In this “third decade,” a nod to a 1984 recording by former GJF performers The Art Ensemble of Chicago—a group that has left its own indelible mark on the history of jazz—we pause to consider the vital role that this home-grown community-based event, the Guelph Jazz Festival, has played in shaping the Canadian (and, indeed, the international) musical landscape.
As the music unfolds, composition and improvisation seem to flow together into a dream-like continuum where jazz and new music meet. To reach this place, Delbecq and Houle have worked for years extending the techniques of their instruments and creating their own language of musical gestures for purposes of spontaneous musical composition.
For our fourth Thinking Spaces session, we are excited to welcome Dr. Karamjeet Dhillon. Join us on Monday October 2 2023, 2:00PM-3:30PM to listen to this award-winning scholar discuss and share ideas about the nature of lived experience, sensory ethnography, and post-intentionality phenomenology. This talk takes place in-person in ImprovLab, University of Guelph. Registration is required to attend. Sign up now!
Improvising Communities: A Retrospective Exhibition marks the celebration of a significant milestone in the emerging field of Critical Studies in Improvisation.
Improvising Communities: A Retrospective Exhibition marks the celebration of a significant milestone in the emerging field of Critical Studies in Improvisation.
Improvising Communities: A Retrospective Exhibition marks the celebration of a significant milestone in the emerging field of Critical Studies in Improvisation.