As part of our commitment to making our work and outputs accessible, and to generate further dialogue on the issues we explore, IICSI has created an online Research Library. Here you will find a range of pieces including films, articles, think pieces, and interviews. Please use the search function or browse, and check back again as this library will be updated regularly.
Research outcomes related to the Improvisation, Community, and Social Practice project (2007-2013) are available in the ICASP Research Collection.
Video documenation of THE CROSSINGS PROJECT – a community music and multi-media event and performed to a sold-out audience in Guelph on Saturday evening, May 26, 2018. The intention of this endeavour was to tell the story of the trans-Atlantic slave trade (approximately 1526 – 1867) and the subsequent establishment of a Black community in Guelph, Ontario.
IICSI Researchers, Kevin McNeilly, Sara Villa, Rob Wallace, and Paul Watkins specializing in the intersections of music and words gathered at the Guelph Jazz Festival Colloquium 2018 to discuss the synergetic relationship of improvised music making and poetic composition.
In Why I’m Here, director João França provides a glimpse into a magical world where musicians of diverse ages and abilities come together in an inclusive and supportive environment to explore the possibilities of improvisational collaborations.
Watch the highlights of Wolf Lake Tones – a night of improvisational exploration of the interconnection between the human and the non-human, between language and the environment that happened May 18, 2018 at Silence in Guelph.
On May 18, 2018 at Silence Guelph, poets Madhur Anand, Gary Barwin, and Phil Hall were joined by musicians David Lee (double bass), and Georgia Urban (saw), as well as singers Megan De Roover, Shannon Kingsbury, Brian Lefresne, Liane Miedema, Sue Smith, and Carey West (all as voices of birds), for an improvisational exploration of the interconnection between the human and the non-human, between language and the environment.
A short video documenting the culminating performance of the 2018 Guelph and Cambridge Drum Clubs, directed by Richard Burrows and in partnership with KidsAbility.
How do we engage with these dissonances or alterities in our expectations?
How do we, as facilitators and pedagogues, resist a more utilitarian urge to maximize what might appear to be group agreement in the space, at the cost of the outliers? Might we, as guides through these spaces, have an obligation to address these outliers in these moments of tension?
And, what does this teach us about our facilitative practice and how we approach difference?
In a solo performance/lecture Prof Vida L Midgelow eats her words, ingests knowledge, animates her dead self and dances everywhere and nowhere, at the University of Regina 2017 improvisation and mobility conference.
A short documentary about the Liquid Art Project featuring artists, community partners, and researchers from Regina discussing mentorship, live painting, and community-engaged research.
In celebration of the 10th anniversary of KidsAbility and IICSI’s partnership, filmmaker Kimber Sider created this short film exploring the impact of this program over the years through speaking with KidsAbility recreation therapist Heather Granger about the impact of the Play Who You Are workshop series.