We are pleased to announce the initial book launch for Soundin’ Canaan: Black Canadian Poetry, Music, and Citizenship, by Improvising Futures team member, Paul db Watkins on Thursday, February 6, at…
In this masterclass, we explore the importance of moving beyond our earthly selves to reach our true creative potential when improvising. As artists, our improvisational journeys can take us from the explainable to the unexplainable, from the ordinary to the extraordinary. Using the iconic cartoon character Popeye the Sailor Man as a metaphor, we will discuss what true transcendence looks like in the creative process. We will also delve into how to employ extended techniques and instrument preparations as methods of transcendence, pushing the boundaries of traditional performance. Active participation from fellow musicians is highly encouraged.
Cancelled due to inclement weather |
In this discussion, we'll shed light on the art-theoretical approaches of the hakosalo_tuhino duo. Our improvised music comes from the archaic kantele playing tradition, where you are in the music instead of making it. Drawing from the deep listening method, our sonic expression is a spatial and temporal experience that cannot be recorded and repeated.
Our improvised music comes from the archaic kantele playing tradition, where you are in the music instead of making it. Drawing from the deep listening method, our sonic expression is a spatial and temporal experience that cannot be recorded and repeated.
Please join Guelph Dance and the International Institute for Critical Studies in Improvisation on February 28, 2025 at 7:30 PM (ET) for an evening of dance with Newton Moraes and Meryem Alaoui at ImprovLab. The program features two solo works by these fantastic artists. This presentation is courtesy of IBPOC ARTISTS NETWORK TOUR: FROM WORDS TO ACTION, initiated by wind in the leaves collective.
On Sunday March 30th, 2025, Wet Sounds: feminist + queer music practices in the polycrisis, presents a performance and conversation with female pioneers of new turntablism, Turntable Trio—Maria Chavez, Mariam Rezaei, and Evicshen (Victoria Shen).
Sounds Like Us—presented by the International Institute for Critical Studies in Improvisation (IICSI) and the Campus Friends (CF) program—brings professional musicians into collaboration with community members of varying developmental and physical needs through a series of fun and playful improvisation-based workshops. This season facilitators include postdoctoral fellow jashen edwards, PhD student Joe Sorbara, and community musician special guest, Valentina Morelli.
In this three-hour gathering with Anne Bourne, participation stems from Deep Listening practice and the Sonic text scores of Pauline Oliveros, with standing by artist/osteopath Lesley Greco, as well as sound interventions by composer/percussionist Germaine Liu. The practice of Deep Listening offers embodied listening, extreme slow walk, attunement, and collective creative expression.
the space between is a research-based creation that explores the intersection between sacred geometry (the transcultural belief that the universe is based on geometric principles such as the Golden Mean and double helix) and our relationship to the embodiment of the unseen and ‘déjà là’ (‘already there’).
Please join us on Thursday, June 12 at 7:00 PM (ET) to celebrate the release of the marvellous, eccentric Lithophonica I & II (Bedrock Resonances) by Gayle Young and James Harley on the Farpoint Recordings label in Dublin.
This CD Release, Concert, and Discussion event will take place in person at ImprovLab, MCKN 108 at the University of Guelph. Admission is FREE and open to everybody!
More About LITHOPHONICA
Stones, the instruments featured on this album, are joined by sounds of bells, sticks and Young’s stringed instruments as Harley expands their resonance, shaping sounds through granulation, layering, transposition, delays, and spatialization.
Young’s collection of resonant stones from the shores of Newfoundland, resonant sticks from abandoned beaver lodges in Ontario, played with bells and assorted hardware, are combined with stringed instruments she designed and built.
As hex-bolts are rolled over stones resting on strings, their vibrations cause the strings to sound. Bells resonate with stones, stones rock on strings, and resonant sticks bounce on strings.
Signal processing simultaneously expands the depth and frequency range, adding complexity through layering and subtle shifts over time.
Additional details to follow
Audiopollination Guelph is wrapping up the season with this, its last event before the 3rd annual Audiopollination Marathon in August! Local legends Depression 500 will be closing out an evening of familiar faces and Audiopollination Guelph newcomers alike. Audiopollination Guelph is devoted to being identity-affirming space for all people, so please come as you are…
Mark the date! You are invited to The Bookshelf Cinema on June 24th for the launch of Soundtrack to the Revolution by Eric Fillion. This scintillating book tells the story…
International Institute for Critical Studies in Improvisation IICSI House,
9 University Avenue East,
Guelph, ON,
N1H 1M8
Tel: 519-824-4120 Ext. 53885 | [email protected]
Send mail to:
IICSI House
9 University Avenue East
Guelph, Ontario
N1H 1M8
improv@uoguelph.ca
