In his role as 2017 Improviser-in-Residence, Kade L. Twist is recruiting participants for a project tentatively titled “That’s Just Indians Being Indians.” This project seeks to bring participants of Indigenous and Indian backgrounds together, to collaborate on a generative, socially-engaged sound piece.
In celebration of its 10th Anniversary, the Adaptive Use Musical Instruments (AUMI) project has also launched a new website at aumiapp.com.
The New Orchestra Workshop (NOW) Society will commemorate their 40th year with performances of new works in a four-day interactive archival and performative installation.
Dr. Caines is a visiting research fellow at the Sonic Arts Research Centre (SARC) in the School of Arts, English and Languages at Queens University, Belfast, starting this October 2017, through August 2018!
IICSI Director Ajay Heble has been invited to give a keynote lecture at “Out of the Blue: From Provisional to Improvisation,” a Symposium with performances, concerts and workshops in German or English, being held October 27-29, 2017, at Haus der Kulturen der Welt , in Berlin, Germany.
We are delighted to share the good news that IICSI has received a grant from the Canada Foundation for Innovation for the building of our ImprovLab research and performance facility.
University of Michigan Press is proud to announce a new series, Music and Social Justice. Across academic and trade presses, this is the first (and long overdue) series calling for work in music and justice.
Short Takes from the October 2017 edition of Improv Notes. Improv Notes is edited and written by David Lee and assembled by administrative assistant Rachel Collins.
The IICSI has launched two new video Stories of Impact featuring Play Who You Are partnership alumni, Talia and Katy. IICSI’s Stories of Impact are a new series exploring IICSI’s research and the wide-ranging impacts.
Lyn Westfall was the Artist-in-Residence at the IICSI’s 2017 session of MILE Camp and during the concert this year Westfall live painted each performance.