ImprovNotes March 2019 Short Takes
ImprovNotes is edited and written by David Lee and assembled by administrative assistant Rachel Collins. If you have anything improvisation related that you would like included in the newsletter, please email [email protected].
On February 18, Montreal’s Devenir-ensemble premiered Résonances manifestes, a “comprovised” piece based on a score composed of recordings of recent street demonstrations in the city. The concert at Sala Rossa (Montreal), made possible by composer Sandeep Bhagwati’s Matralab, was part of the off-season series of the Suoni Per Il Popolo festival. The Devenir-ensemble is an initiative of Concordia PhD candidate Hubert Gendron-Blais.
Deep Listening in Toronto
In mid-February, the Music Gallery and other presenting partners created a weekend of events focused on the work and legacy of Pauline Oliveros and her partner IONE. The latter offered a reading from her book Pride of Family: Four Generations of American Women of Color. With Anne Bourne, IONE also presented a workshop at the Music Gallery, and the weekend culminated in a performance of Oliveros’s To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation, a collaboration between Public Recordings and the Music Gallery staged in Toronto City Council Chambers. As participant Wendalyn Bartley wrote in The Whole Note, city hall—“a place where democracy is played out (in varying degrees of success)—was the perfect setting for this work of high-stakes politics.”
IICSI McGill & AUMI
It’s been a hard winter in Canada and elsewhere, but it has brought good news to IICSI researcher Eric Lewis of McGill University. Dr. Lewis and Peter Burton of the Société des arts libres et actuels (SALA) received $50,000 from the city of Montreal to create a range of digital musical arts programs for youth and children in Montreal’s Little Burgundy neighbourhood, including working with the Adaptive Use Music Instrument (AUMI) and individuals with disabilities. The project is a partnership between IICSI, the Laboratory of Urban Culture (LUC), and SALA.
Intents and Purposes
IICSI Researcher Eric Lewis has published his book Intents and Purposes: Philosophy and the Aesthetics of Improvisation, available from University of Michigan Press. As the book’s description reads, Intents and Purposes uses a series of case studies to challenge assumptions about what defines a musical work and musical performance, seeking to go beyond philosophical and aesthetic templates from Western classical music to foreground the distinctive practices and aesthetics of jazz. Congratulations, Eric!