This work has been produced by students in the Critical Studies in Improvisation MA and PhD programs at the University of Guelph. Community Building through Formal and Non-Formal Music Learning: An Interview With My Father Brent Rowan This podcast features a conversation between Brent Rowan and his father. “One part of my autoethnographic study to…
By Brent Rowan This podcast, “Community Building through Formal and Non-Formal Music Learning: An Interview with my Father,” was completed as part of Brent Rowan’s Major Research Project for the Critical Studies in Improvisation program at the University of Guelph. Abstract One part of my autoethnographic study to better understand my own musical development and…
Four33 is a podcast by IICSI graduate students Carey West and Stephen Donnelly, focusing on improvisation in daily life, particularly its value as a survival skill and tool for social change.
Everyday improvisation in public space is an extremely broad topic, and the structure of this literature review speaks to that. Rather than providing a cohesive overview, I have instead opted to focus on a few select areas and examples of how this phenomenon is discussed in social theory and social science research (particularly sociology and human geography), as well as providing some examples that may be of interest to IICSI in terms of philosophy of improvisation or applications for improvisation.
Interactive Improvisation in Times of Isolation, which will showcase the realities of living in isolation. The ambient recordings signify the current reality in which nature exists — even thrives — with muted human intervention.
“Sounds that Emerge from You” is an interview with musician and writer David Lee, conducted by IICSI Research Paul Watkins about what led Lee to improvised music.
A short interview with Allen Tush Naturinda about the role of improvisation in the transformative art workshops for youth in Uganda.
Voices Found: Free Jazz and Singing is a new title in Routledge’s Transnational Studies in Jazz series and the culmination of Dr. Chris Tonelli’s postdoctoral work with the IICSI. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs.
The Digital Incubator sessions (June 25-July 2, 2018) at the Sonic Ars Research Centre, in Queens University Belfast brought together researchers from across the ImprovEnabled project and focused on accessibility and strengths-based approaches to disabilities.
Edited by Ajay Heble Douglas R. Ewart’s Crepuscule: Stories of Impact features: essays and reflections by Michael Collins, Jeannette Hicks and Brian Lefrense, and Ed Sarath; an interview with Ewart by Ajay Heble; Ewart’s artist statement about the evolving energy that is Crepuscule; and throughout the pages are photographs from Crepuscule – Guelph – the culminating event of Ewart’s 2015-16 residency in Guelph’s Arboretum, and the subsequent participatory, multi-site, mixed-media exhibition Douglas R. Ewart’s Crepuscule at the Robert Langen Art Gallery at Wilfrid Laurier University.